Just about everything Adele does is an event — her shows sell out in seconds, her interviews reliably go viral, and her music releases break records, igniting old-school purchasing habits even in people who don't typically buy physical music anymore.
That sort of monolithic presence is a rarity now, and it's surely an unending thrill for the music execs that benefit from it. But a recent report from Variety — and the reaction to it from smaller artists on Twitter (and at this point, most artists are "smaller" than Adele) — lays out the trouble with one person (or a small handful) holding such sway over the music industry.
According to Variety, Adele's 30 was turned into manufacturers more than six months ago in order to combat the recent worldwide vinyl shortage — caused by unprecedented, pandemic-related demand, supply-chain disruptions and an increase in manufacturing prices — that has left many artists waiting months after an album's digital release for vinyl records.
While the early submission itself is not unusual — as Variety notes, many artists are given even earlier deadlines than that — Adele's choke-hold on the music industry meant she was able to book up already-overbooked vinyl plants in order to rush-order pressings so that they would arrive alongside 30's digital release. According to Sony Music sources cited in the article, the company also made the decision to "push catalogue titles off its overseas pressing plants to ensure there won't be any shortage of Adele LPs going into the holidays."
Over 500,000 copies of 30 were pressed and will now be hitting stores on November 19, while pressings from smaller artists and imprints — who often rely on vinyl sales in order to survive — are now delayed even further (some until 2022) in order to accommodate the blockbuster release.
And though she's a trendsetter in the matter, the issue isn't specific only to Adele, as Variety notes that fellow pop-juggernaut Ed Sheeran told Australian radio hosts Kyle and Jackie O that "Adele had basically booked out all the vinyl factories, so we had to get a slot and get our album in there. It was like me, Coldplay, Adele, Taylor, ABBA, Elton, all of us were trying to get our vinyls printed at the same time."
The in-depth Variety piece covers many specifics and POVS from industry insiders, and you can read it here.
The big-name vinyl race represents an exasperating, if not unsurprising, pattern, and many artists, small label folks and music people took to Twitter to express their frustration on the matter. Read some of the reactions and insights below.
That sort of monolithic presence is a rarity now, and it's surely an unending thrill for the music execs that benefit from it. But a recent report from Variety — and the reaction to it from smaller artists on Twitter (and at this point, most artists are "smaller" than Adele) — lays out the trouble with one person (or a small handful) holding such sway over the music industry.
According to Variety, Adele's 30 was turned into manufacturers more than six months ago in order to combat the recent worldwide vinyl shortage — caused by unprecedented, pandemic-related demand, supply-chain disruptions and an increase in manufacturing prices — that has left many artists waiting months after an album's digital release for vinyl records.
While the early submission itself is not unusual — as Variety notes, many artists are given even earlier deadlines than that — Adele's choke-hold on the music industry meant she was able to book up already-overbooked vinyl plants in order to rush-order pressings so that they would arrive alongside 30's digital release. According to Sony Music sources cited in the article, the company also made the decision to "push catalogue titles off its overseas pressing plants to ensure there won't be any shortage of Adele LPs going into the holidays."
Over 500,000 copies of 30 were pressed and will now be hitting stores on November 19, while pressings from smaller artists and imprints — who often rely on vinyl sales in order to survive — are now delayed even further (some until 2022) in order to accommodate the blockbuster release.
And though she's a trendsetter in the matter, the issue isn't specific only to Adele, as Variety notes that fellow pop-juggernaut Ed Sheeran told Australian radio hosts Kyle and Jackie O that "Adele had basically booked out all the vinyl factories, so we had to get a slot and get our album in there. It was like me, Coldplay, Adele, Taylor, ABBA, Elton, all of us were trying to get our vinyls printed at the same time."
The in-depth Variety piece covers many specifics and POVS from industry insiders, and you can read it here.
The big-name vinyl race represents an exasperating, if not unsurprising, pattern, and many artists, small label folks and music people took to Twitter to express their frustration on the matter. Read some of the reactions and insights below.
An Ocean's Eleven-style heist film about sneaking into a vinyl pressing plant at night and making them press 500,000 copies of the new Deerhoof album instead of the new Adele album.
— Zach Schonfeld (@zzzzaaaacccchhh) November 4, 2021