On paper, Bleachers and Carly Rae Jepsen occupy different corners of the poptimist landscape. The former is essentially a vehicle for pop st...

My deepest sympathies to any Weezer completists out there. At this point, the band's output is a bit like the fantasy tabletop RPGs they onc...

Since their debut, The Comet Is Coming has flipped the script on what a jazz trio can muster. Comprised of Shabaka Hutchings (sax and shakuh...

Anyone familiar with the work of Makaya McCraven has an idea of what to expect from In These Times, his 2022 full-length effort for contempo...

KEN mode never lets up and never stops innovating with their sound. Even after creating music for more than 20 years, the Winnipeg four-piec...

After so much struggle and effort, it feels like a magnificent victory that Rifflandia not only came back, but also outdid itself in many wa...

For more than a decade, the Wonder Years' mission statement has been to take their personal struggles with deep-felt pain and turn them into...

WHOOP-szo spent roughly a decade playing the DIY Canadian music scene before releasing their 2019 debut album, Warrior Down. Filled with fre...

Most artists with nine full-length albums to their name have either settled into a comfortable groove or slowly fizzled out of relevancy — A...

When making a film about a parodist, what could be more honest than turning it into a parody of the biopic genre itself? Weird: The Al Yanko...

Warming up the room and establishing the material conditions of the occasion, Courtney Barnett opened her Massey Hall performance with the l...