The UK duo of Matt Harris and Charlie Tate seems to have been listening to a lot of Jazzanova since their last recording, and this is a very good thing. The duo's last record, Nufoundfunk, was a hip-hop and funk-fused collage that hit hard in certain areas but ultimately fell short of expectations. This time around, the two have sharpened their skills and crafted a beautiful mixture of soul, hip-hop and house, and in the process they seem to have released a more complete sounding effort. Cuts like "Honey Locust" and "A Man Like Andre" are lush sounding and carry a good dose of horns and strings to accompany the Brazilian house beats, which are reminiscent of Minus 8 and the Truby Trio. A real treat is when Roots Manuva graces us with his lyrical presence over warm hip-hop tones on "Barefoot," giving further proof that Rodney seems to be able to light up any track he flows over. Vocal efforts also come from a variety of female lyricists that sometimes wield some dodgy results. Nomvula Malinga winds up making a couple of tracks come off as corny R&B cuts and really spoils the mood. Thankfully, Cleo Bailey turns the car around and presents one of the finer tracks on the record, "You Don't Know," a soulful joint that brings the head into a nodding state. The great thing about Indian Summer is that it follows a flow from start to finish and seems to be much more focused than Nufoundfunk. It's good to see Harris and Tate have patched up their past mistakes.
(Om)King Kooba
Indian Summer
BY Noel DixPublished Dec 1, 2002