The eminent jazz guitar maestro has nothing to prove at this point in his career but thats what makes this instrumental record groovy. The opening volley of fragmented guitar licks and baritone sax interludes ("The Low Road) that are deliciously bizarro belies the more sedate ("Down D), ambient ("Shoe Dog) and altogether pleasantly "outside numbers ("Pretty Out, Charlie Richs "Behind Closed Doors, featuring Bill Frisell on tremolo guitar). But guests be damned (and no, Medeski, Martin and Wood arent on this one). Whether hes handling "Satisfaction (a slick cover) and "House of the Rising Sun in his own treble trademark or showing off his considerable chops (especially on "Heck of A Job, echoed there by the horn section), this is 30 years of consummate jazz musicianship talking, and its well worth the listen.
(Emarcy)John Scofield
This Meets That
BY Jonathan RothmanPublished Nov 26, 2007