The Intelligent Design looks back on a decades worth of b-sides, Japanese bonus tracks and the like, kicking off with all three tracks off the Methods and Sentiment seven-inch from 1996. Two things stand out: the guitar interplay was wholly formed even then, and Tim Kinsellas singing still wilfully near-key now had a strained yelp that made Will Oldham sound like Barry White. The early tracks affirm JOAs fondness for post-recording edits and sudden shifts in tone and instrumentation as non-linear as Kinsellas lyrics. The songs taken further left could become Gastr Del Sol or (waaaaaaay) further right, GBV. The skeletal cover of Promise Rings "A Picture Postcard is a neat connector back to the two bands common roots in Capn Jazz. Fuel for the "burn smarty-pants Kinsella pyre comes with the not-smart-not-essential tracks from the Japanese release of the How Can Anything So Little
EP, overlong sound soup of tape edits and fractured beats. The five tracks from the 2003 vinyl-only split with Bundini Brown (Tortoises Bundy K. Brown) are the high point, with the possible exception of the albino-white rapping on "You Say Tornaydo and I Say Tornahdo. Only with JOA could you say this comp had good flow, but it does.
(Polyvinyl)Joan Of Arc
The Intelligent Design of Joan of Arc
BY Eric HillPublished Jul 1, 2006