Trolloping in medicated slow motion undertones are the ever-so-aptly titled Slow Horse, a doom trio from New York that has designed their sound to be filter-proof so it can still be heard through the thickest of concrete walls. The raw kick-drum constantly pounds and penetrates, implying some sort of ancient and ritualistic mantra that could only be conducted in the grimiest alleyways of the big city. Utilising the doom-like low-end guitar flutter that Tony Iommi originally indoctrinated, leader Daniel Bukszpan's corrugated guitar and anthemic vocals channel through a bandsaw that burns at 220 volts through a 120-volt fixture. Included is a cover of Chris Isaak's “Wicked Game,” amazingly well rendered that proves that any well written song in any genre could universally be translated for the masses with appeal.
(Freebird)Slow Horse
Slow Horse
BY Roman SokalPublished Feb 1, 2000