Filed somewhere between Minus The Bear and Incubus, this Vancouver, BC duo soar on Equations. "Wait" highlights the five-song EP. Opening with a soothing guitar riff, enhanced as a Rhodes picks up in the background, Michael Champion's very Brandon Boyd-esque voice drives the pop tune around pleasant valleys. "Stop Running" is a stunning ballad that ends the disc on an uncertain note — with its understated bass line and vocal arch there's a sense that this should mark the halfway point of a full album. The only complaint with City of Glass is that it feels as if they're holding back. They're on the cusp of becoming special, but they need a push. Champion's voice is like crystal, but his emotions don't fully come through. Same with the arrangements, which are filled with intricate synth, piano and guitar parts that create a beautiful palette, but they're buried deep. Regardless, there's enough joy on this release and hope that they will expand on this impressive offering.
(Independent)City of Glass
Equations
BY Travis PersaudPublished Feb 8, 2010