"You can't be what you can't see," says Alison Wonderland in Underplayed, a documentary about the dearth of gender, sexual, and ethnic repre...
"If something is good, why ruin it?" Though this just may be a tongue-in-cheek meta statement on unnecessary sequels shared between two c...
In Land, Robin Wright foreshadows the acting masterclass that's to come from its very first scene. In the first glimpse of her character, Ed...
What's instantly captivating about Canadian filmmaker Philippe Falardeau's My Salinger Year is its relatability. In one of the film's openin...
The path to becoming a professional athlete is an improbable one. The combination of dedication, hard work, talent and luck required to turn...
In Moxie, the meek teenage protagonist Vivian (Hadley Robinson) searches through her mother Lisa's (Amy Poehler) closet and finds her old le...
Yes it's called Pandemic, and yes it's about being trapped in your apartment for months on end, but there's nothing overtly timely about thi...
Nick Jonas was a great double-threat, hosting and performing two songs, and, ahead of a one-month hiatus, Saturday Night Live's cast and cre...
Somehow, March 2021 is already upon us, and in true hellscape fashion, we're only halfway through an awards season that is already a month o...
How's this for an exercise in contrast: just a couple of weeks ago, the documentary Framing Britney Spears examined the powerlessness of one...
It's rare to be fully invested in a film from its first minute, but Lee Issac Chung's Minari makes you fall in love with the Yi family insta...
