Life's sweetest moments are impermanent, and Portrait of a Lady on Fire (Portrait de la jeune fille en feu) is a heartbreaking account of a...

Marriage Story isn't a marriage story. It's a divorce story, and it poignantly reveals the ways that two people who used to love one another...

There's a scene in Peter Strickland's fourth film, In Fabric, where a ghoulish old man watches lustfully as the witch-like employees of his...

The Irishman, Martin Scorsese's new gangster ensemble saga, has already been making headlines, not just for its three-and-half hour runtime...

A murder disguised as a suicide, a pool of suspects with plenty to gain from the victim's death, and a charismatic detective who is as cleve...

Self-referential meta comedy has, for better or more likely worse, jumped its own shark in recent years, as breaking the fourth wall has bec...

She Never Died, the third feature from Canadian director Audrey Cummings and the followup/flipside to 2015's horror-comedy He Never Died, is...

Bouncing back from a rough week for Harry Styles, Saturday Night Live corrected its course and wrote some great stuff for Will Ferrell, who...

It does not take any intuition to realize the main draw for a film like The Two Popes is folded neatly into its premise. The resignation of...

Of the innumerable clichés bandied about by film types, one is particularly prolific: When a film is set in New York City, everyone, from cr...

There is a scene in Melina Matsoukas's Queen & Slim that depicts Jodie Turner-Smith's Queen having her braids removed — so as to change her...