Collection assembles tracks from TMGEs five LPs and two EPs and, in the interest of value for money, Im obliged to point out that it only includes a single track from last years Gear Blues, their only other U.S. release and one last years best LPs, not to mention biggest "out of leftfield surprise. They have the rare ability to play equally hard and heavy, regardless of tempo. When it comes to garage punk blues rock, these guys are of the highest quality, combining the visceral throb and transfer of energy of progenitors like Johnny Kidd & the Pirates, the Who, the MC5, the Sonics and the Stooges, and Im assuming that "The Birdmen is a Radio Birdman homage, not a Burt Lancaster tribute. Their sound is loud and full of swagger, as the guitar, bass and drums throb and pummel you while Yusuke Chiba wails in a hoarse, throat-shredding howl thats pretty much buried in the mix; his vocals are so fully integrated that you couldnt pick out a narrative thread even if he was singing in English, instead of Japanese. And thats why its brilliant: youre forced to focus on the entire experience, the sheer sonic tumult. And then just to taunt you and keep you off-balance the odd English word will pop out of the mix. "Lily mixes the pop catchiness of early Who and the sonic kick of Pete and the Boys, circa 1972. Its brilliant, but "Boogie is the LPs highlight. It has this big, honking, wall of Crazy Horse-ish distortion and a melancholy core melody, and it just keeps building and building for eight minutes until it climaxes and then the guitar drops out, followed by the bass exit, until Kazayuki Kuhara is left just bashing away at his kit. The booklet pictures are equally brilliant, whether its the boys in black Yakuza suits and eye patches, old west gunslinger getups (black, of course) or the inlay card with them aping the Odds And Sods cover pic, except the football helmets spell out "fuck. Are these guys the best straight up rock and roll band in the world right now? Yes, I think they may be.
(Alive!)Thee Michelle Gun Elephant
Collection
BY John F. ButlandPublished Apr 1, 2002