Thanksgiving's best gift as a songwriter is his careful judgement. Like a genius kid playing with Knex, he starts with a simple blueprint in mind and builds as moderately as possible in order to create truest to form. Guitar and vocals are the only constant throughout The River, while multi-instrumental flourishes (banjo, accordion and melodica to name a few) decorate the bare song writing. Thanksgiving is the alias of 19-year-old Adrian Orange, who is beginning to win some acclaim as the protégé of the Microphones' Phil Elvrum. Orange is heading down a well-trodden path, trail-blazed by the likes of Smog, Will Oldham and the Microphones, but he has his own stride, and a natural predilection for song craft he started writing and performing with the band Menagerie at the age of ten. His music is calm, quiet and profound. The opening track starts slow, and soon bursts with a banjo solo powerful enough to bring tears to one's eyes. This sets the precedent for the rest of the album: The River lulls and flows serenely, and its sporadic bursts of emotion are all the more moving by contrast. Though comparisons abound, The River is not just a display of potential, but a good album in and of itself. Orange has already found his footing as an original songwriter, and it's no stretch to say that within a few albums his talent will shine as much as the musicians he has been compared to.
(Hive Fidelity)Thanksgiving
The River
BY Alex MolotkowPublished Jun 1, 2005