The self-titled debut of this Philadelphia quartet (saxophonists Dan Scofield and Bryan Rogers, bassist Matt Engle, drummer Dan Capecchi) is an unusually strange and haunting album think of an ambient remix of Zorns Spy Vs Spy, or a half-wounded, half-brutal re-imagining of a Konitz/Marsh record. The live recording took place in the extremely echo-y acoustic of St. Marys Church, and the musics smeary, slow-mo feel makes for a refreshing change from the carefully calibrated metrical complexities of much modern jazz. Its music where multiple pulses and sensibilities lap against one another, and even when theres a definite pulse theres little sense of a fixed groove. Who knows if this is what these guys usually sound like itd be worth hearing what theyd do in a drier studio setting but its certainly a unique album, and an auspicious debut.
(High Two)Shot x Shot
Shot x Shot
BY Nate DorwardPublished Jun 1, 2006