Staff Picks
Cadence Weapon Battles the Machine on "My Computer"
Exclaim! Staff Picks
PUBLISHED Apr 3, 2024
Finding in-person interviews increasingly uncommon even before the pandemic, I jumped at the chance to meet with Cadence Weapon IRL...
'Diamond Jubilee' Is a Glittering Showcase for the Genius of Cindy Lee
Exclaim! Staff Picks
PUBLISHED Apr 2, 2024
Cindy Lee embodies diva-hood in the old-school sense — a Supreme, a Ronette, Dusty Springfield if she traded beehives for synthetic bobs ...
Eric Ryan Is Swaggering and Self-Assured on His 'Red Flags' EP
Exclaim! Staff Picks
PUBLISHED Apr 1, 2024
On his sophomore EP 'Red Flags,' Eric Ryan introduces us to a more assured version of himself, emerging from the ashes of the broken-hearted...
Blondshell and Bully Are a Match Made in Grunge-Pop Heaven on "Docket"
Exclaim! Staff Picks
PUBLISHED Mar 27, 2024
Blondshell and Bully are both artists operating under monikers that start with the letter B who released noteworthy albums last year ...
David Fleming's 'Mr. & Mrs. Smith' Score Is Beautifully Ambiguous
Exclaim! Staff Picks
PUBLISHED Mar 22, 2024
Viewers are understandably cynical about remakes and reboots these days, but Prime Video's 'Mr. & Mrs. Smith' series is better ...
Kelly Moran's "Sodalis (II)" Moves Like a Deep Ocean Current
Exclaim! Staff Picks
PUBLISHED Mar 14, 2024
Kelly Moran’s original “Sodalis” — a contribution to the 2020 Field Works 'Ultrasonic' collection — was an anxious churn of wings...
Sham Family Search for Truth on "Modern Myth"
Exclaim! Staff Picks
PUBLISHED Mar 11, 2024
Recorded and produced by Holy Fuck's Graham Walsh, the Toronto band's first release since 2022 is a magnetic return...
Blunt Chunks Wrestles with Expectation on "High Hopes"
Exclaim! Staff Picks
PUBLISHED Mar 6, 2024
Expectation will be the death of me. I think I’ve known this for a while; whether it’s what I unconsciously find myself expecting of others...