If you conceivably require more proof that the Beatles were, and continue to be, the most influential rock musicians, consider this: every single one of the 184 songs the quartet wrote, recorded and released during their eight-year run has been covered. Many of these songs have been reinterpreted dozens or even hundreds of times (and in the case of "Yesterday," thousands of times). This is a distinction that essentially no other non-classical, non-musical theatre artist can lay claim to.
Although many artists merely covered the Fab Four's music in search of a Top 10 hit — which has been achieved by countless artists, from bossa nova king Sérgio Mendes ("The Fool on the Hill") to teen popstar Tiffany ("I Saw Him Standing There") to Dutch novelty act Stars on 45 ("Medley") — many of the most important artists of the 20th and 21st centuries have paid tribute to the Beatles. This includes Elvis Presley, Brenda Lee, Little Richard, Aretha Franklin, Marvin Gaye, Diana Ross, Bob Dylan, Tina Turner and the Rolling Stones (kinda).
Careers have been made by musicians who exclusively cover the music of the Beatles (Beatallica, the Punkles, Yellow Matter Custard). There have been dozens of albums dedicated strictly to Beatles covers (Count Basie's Basie's Beatle Bag, the Smithereens' B-Sides the Beatles and the Flaming Lips' With a Little Help from My Fwends) and countless tribute albums, musicals and soundtracks.
There's no question that covering the Beatles is as good an artistic statement as it is a financial statement. In recognition of the phenomenon of the Beatles cover song, here's the greatest remake of each of their 184 tunes.
Scroll down to begin the list in 1962–1963, or skip ahead by year at the following links:
1964
1965
1966
1967
1968
1969
1970
"Love Me Do" (1962)
Daniel Johnston (1994)
Considering that this is the song that kicked it all off for the Beatles, there are surprisingly few covers of "Love Me Do." Perhaps because of the song's underlying vulnerability, it's perfect fodder for Texas outsider musician Daniel Johnston.
"P.S. I Love You" (1962)
Santo & Johnny (1964)
From the start, artists realized that the Beatles couldn't put out every song as a single. This led Brooklyn instrumental duo Santo & Johnny to release a swinging cover of this "Love Me Do" B-side.
"Please Please Me" (1963)
Matt Dusk (2004)
John Lennon credits the influence behind the Beatles' second single to Roy Orbison and Bing Crosby, originally imagining it as a ballad. Here, Toronto crooner Matt Dusk elegantly intensifies the track's romantic undertones.
"Ask Me Why" (1963)
Litto Nebbia (2008)
This track features John playing guitar sevenths reminiscent of flamenco. That may be why the few covers that do exist come from Latinx musicians, including this tender and stylish ballad from Argentina's beloved rock god.
"I Saw Her Standing There" (1963)
Little Richard (1970)
Once you hear McCartney howling "whoooo," there's no doubt that this is a Little Richard rip-off. That's why, when Richard returned from a decade-long sojourn into gospel, he took his jubilant howl back.
"Misery" (1963)
Flamin' Groovies (1976)
Shake Some Action is a stone-cold power pop classic. This chiming two-minute Beatles album cut fits perfectly into the San Francisco band's oeuvre of brash, fast and grimy guitar rock.
"Do You Want to Know a Secret" (1963)
Count Basie (1966)
Count Basie was such a fan that he released two Beatles covers albums in the '60s. No song better fits his style than this strolling, big band arrangement of Harrison's first vocal lead.
"There's a Place" (1963)
The Dickies (1998)
With its plodding harmonica and verses, Please Please Me's penultimate track ached for a redo. Pop-punk originators the Dickies give it a much-needed boost in snottiness, even shaving 10 seconds from its 1:50 runtime.
"From Me to You" (1963)
Del Shannon (1963)
Shannon's version of this song hit No. 13 on the Canadian charts, becoming the first Lennon-McCartney song to chart in North America. Here, Shannon does a extraordinary job at mimicking the Beatles' shaggy sound.
"Thank You Girl" (1963)
The Smithereens (2008)
Covering the Beatles was practically a side gig for the Smithereens. Near to the end of their career, they doubled down on this, reinterpreting the band's often-overlooked B-sides with a healthy heaping of adulation.
"She Loves You" (1963)
Brenda Lee (1965)
Lee's astonishing run of 11 Top 10 Billboard hits happened before she even turned 20. Only 21 here, Brenda sound like a veteran while managing to inject a shot of youthful exuberance to this single.
"I'll Get You" (1963)
The Inmates (1988)
John sang some menacing songs disguised as upbeat pop rockers. Glass-chewing British pub rockers the Inmates add some much-needed grit to this disquieting stalker-fantasy B-side, recorded on their live album of Beatles covers.
"It Won't Be Long" (1963)
Redd Kross (1984)
Moving from hardcore to power pop (and changing their name from Red Cross), these Californians discovered the splendour behind a fantastic melody, keeping the punky call-and-response chorus intact while almost verging on hair metal.
"All I've Got to Do" (1963)
Susanna Hoffs (2012)
The former Bangles vocalist has recorded multiple covers, mostly from the paisley '60s. On her 2012 Beatles tribute EP, From Me to You, Hoffs matches her stylish, sleek vocals to this chic Lennon-sung track.
"All My Loving" (1963)
Darlene Love (2014)
From Smokey to Elvis, many idols of the Beatles would go on to return the adoration. It took Darlene Love over 50 years to give her own brassy retelling of this quaint Canadian chart topper.
"Don't Bother Me" (1963)
Gregory Phillips (1964)
The first Harrison-written track to appear on a Beatles album is an underrated gem. Former child actor Gregory Phillips did this song justice, giving it a swinging makeover and releasing it as a single.
"Little Child" (1963)
Wreckless Eric and James Nicholls (2013)
Beginning in 2013, British magazine Mojo included Beatles cover completions to celebrate each album's 50th. Here, new wave pioneer Wreckless Eric delivers a ripping, no-nonsense cover of this With the Beatles cut.
"Hold Me Tight" (1963)
Les Baronets (1964)
Before managing (and marrying) Celine Dion, René Angélil had his own career with Les Baronets. Mostly taking on English hits, their fantastic shouty cover of "Hold Me Tight" — "C'est fou mais c'est tout" — was a French-language hit.
"I Wanna Be Your Man" (1963)
The Rolling Stones (1963)
This one's a bit of a cheat. After writing this for the Stones as a single, the Beatles later recorded it themselves. Knowing they couldn't match Mick's intensity, they buried it on side two.
"Not a Second Time" (1963)
Pretenders (1990)
This penultimate With the Beatles track has become popular cover fodder. But no one does it better than Chrissie Hynde's slinky, sexy version she recorded with a fractured version of her band.
"I Want to Hold Your Hand" (1963)
Al Green (1969)
Black America Sings Lennon & McCartney is a treasure trove of classic covers. Green's reimagining may just be the best from this two-volume compilation. Here, he complements this straight-ahead rocker with a galloping melody.
"This Boy" (1963)
Keely Smith (1964)
Finding fame in the '50s with then-husband Louis Prima, Keely Smith rekindled her career with a Beatles covers LP. Her velvety big band take on this B-side — changed to "This Girl" — allowed the Greatest Generation to appreciate those four mop-tops.
Click "Next" to go to 1964."I Call Your Name" (1964)
The Mamas and the Papas (1966)
The sole original on the UK-only Long Tall Sally EP, this tracked was snatched up by the Mamas and the Papas for their debut. They soar through the Beatles' harmonies, as demonstrated on their Ed Sullivan appearance.
"Can't Buy Me Love" (1964)
Ella Fitzgerald (1964)
Although the Beatles wrote this single for their film debut, jazz legend Ella Fitzgerald reimagines the song as a climax in a 1940s Broadway musical, earning her a Top 40 UK hit in the process.
"You Can't Do That" (1964)
Nilsson (1967)
Before he became mates with Lennon, Harry Nilsson was already establishing a relationship. This Top 10 Canadian hit comes off like a Lennon-McCartney career overview in two minutes, incorporating lines from 17 other Beatles songs.
"A Hard Day's Night" (1964)
Peter Sellers (1965)
The fact that this quirky cover (in which Peter Sellers recites the song's lyrics in his best Laurence Olivier voice) hit the UK Top 20 proves just how popular the Beatles (and Sellers) were by this time.
"I Should Have Known Better" (1964)
The Beach Boys (1965)
If anyone could come close to besting the Fab Four, it was the Beach Boys. Recorded "live" at a party, they captured the pure thrill in singing your heart out to a Beatles song.
"If I Fell" (1964)
Roberta Flack (2012)
Many faded artists record Beatles cover LPs because it's a guaranteed seller. But early-'70s superstar Roberta Flack injects such passion on this modern-sounding ballad that it can only be described as a love letter.
"I'm Happy Just to Dance with You" (1964)
Bachman Cummings (2007)
In 2007, this duo recorded songs that originally influenced them. This sentimental Harrison-led single is a strange choice, but their hushed vocals and plucked guitars gives insight into the gentle side of the Guess Who.
"And I Love Her" (1964)
Kurt Cobain (2015)
The only highlight on unlistenable posthumous cash-grab demo recordings LP Montage of Heck is this hallowed, haunted cover of "And I Love Her." Here, Cobain sighs through this initially stickily optimistic McCartney-sung single.
"Tell Me Why" (1964)
April Wine (1982)
Beatles covers were strangely absent from the hair metal era of the '80s. But April Wine managed to turn this two-minute Lennon-led basher into an aching blues ballad that was released as a single.
"Any Time at All" (1964)
Bryan Adams (2014)
The original version has Lennon nearly bursting at the seams. Fifty years later, Adams smoothed over the rough edges but remained dedicated to the song's brawny declarations.
"I'll Cry Instead" (1964)
Chet Atkins (1966)
Of the 12 Beatles covers Atkins recorded, the country-tinged "I'll Cry Instead" makes most sense. This instrumental adds bouncing bass, a shuffle beat, hooting harmonica and takes the track into dusty new territories.
"Things We Said Today" (1964)
Bob Dylan (2014)
It took 50 years for Dylan to record a Beatles cover. But when he did, he chose perhaps the greatest hidden gem in their catalog. He detachedly growls through it, making it sound completely Dylanesque.
"When I Get Home" (1964)
The Rustix (1969)
In 1969, Motown launched a rock subsidiary, Rare Earth Records. That's why it makes sense that one of their first signings, the Rustix, recorded a soul cover of Lennon's Supremes-influenced rocker.
"I'll Be Back" (1964)
Cliff Richard (1967)
In the early '60s, the Beatles wrestled the title of England's biggest hitmaker away from Cliff Richard. It only makes sense that the icon would ride their coattails with this terrifically lulling Spanish-tinged cover.
"I Feel Fine" (1964)
The Ventures (1965)
The Ventures are essentially the only cover band inducted into the Rock and Roll Hall of Fame. It wouldn't take them long to tackle the Beatles. This instrumental effortlessly captures the original's swinging '60s vibe.
"She's a Woman" (1964)
Scritti Politti (feat. Shabba Ranks) (1991)
One of the most unrecognizable Beatles covers is also one of the most recent ones to hit the UK Top 20. Melding new wave with reggae, this crafty reimagining is as 1990s as it gets.
"No Reply" (1964)
Memoryhouse (2021)
Another one of Lennon's darker songs, "No Reply" was originally paired with a poppy arrangement. On their first set of new music in five years, Guelph's Memoryhouse gave it a gorgeously catatonic, hazy makeover.
"I'm a Loser" (1964)
Marianne Faithfull (1965)
On her debut, Faithfull wanted to meld the pop sound of the day with the receding folk sound. Her cover of this Beatles for Sale track succeeds by bringing panache and sophistication together.
"Baby's in Black" (1964)
Rubén Blades y Son del Solar (1992)
Proof of how popular the Beatles remain throughout the Latin diaspora, Panamanian superstar Rubén Blades showed his love for this little-covered album track, lovingly giving it a silky salsa makeover.
"I'll Follow the Sun" (1964)
Glen Phillips (2009)
Beatles covers are easy for musicians to forage when asked to contribute to a soundtrack. Here, the Toad the Wet Sprocket vocalist makes this buoyant track more sugary — ideal for forgotten Eddie Murphy vehicle Imagine That.
"Eight Days a Week" (1964)
The Runaways (1978)
The Runaways' final LP was low on Joan Jett-written songs, as Lita Ford had begun to take over. This popular Beatles cover doesn't sound like anything members would later record, but stands as a groovy, sultry sendoff.
"Every Little Thing" (1964)
Yes (1969)
Leave it to Yes to turn this straightforward two-minute lament into a six-minute spectacle. Included on their debut, the prog icons disregard the original arrangement, focusing on spurts of vocal melodies and enhanced timpani crashes.
"I Don't Want to Spoil the Party" (1964)
Rosanne Cash (1989)
The only Lennon-McCartney composition to ever top the country charts in Canada and the US, Cash makes it completely her own. This cover is the definitive version for many country fans.
"What You're Doing" (1964)
Lisa Lauren (2006)
Here it is: the least-covered Beatles song according to multiple sources. But this Chicago nu jazz vocalist shows her true fandom by including this delightfully breathy, cello-assisted rendition to her Beatles covers LP.
Click "Next" to go to 1965."Ticket to Ride" (1965)
Hüsker Dü (1986)
In 1986, Hüsker Dü were transforming from hardcore punk to indie pioneers. This cover injects tough-but-sweet two-part harmonies overtop of mountainous drums and buzzsaw guitars, showing off their legendary range.
"Yes It Is" (1965)
Don Henley (1986)
On the first ever Bridge School Benefit concert, organized by Neil and Pegi Young, Henley tackled this underrated B-side, bringing out four backup singers to help him totally nail the song's vivacious acoustic shuffle.
"Help!" (1965)
Tina Turner (1984)
After three flops, Turner's label played it safe, releasing covers as the first two singles from Private Dancer. Nonetheless, her rendition of "Help!" is a yearning slow jam that set the stage for her breakthrough.
"I'm Down"
White Flag (1987)
These bratty California punks adopted a faux pro-Reagan/Christian stance during the hardcore boom just to appear contrarian. It makes sense that they would sloppily rip through this Help! B-side for their Beatles tribute/parody, Sgt. Pepper.
"The Night Before" (1965)
Herbie Mann (1966)
In the mid '60s, Herbie Mann decided to ditch standards for modern-day fare. His lengthy cover of this surprisingly groovy Beatles track found the American flautist absolutely nailing the sound of swinging England.
"You've Got to Hide Your Love Away" (1965)
Eddie Vedder (2001)
Since appearing on the 2001 Beatles covers-only soundtrack I Am Sam, the Pearl Jam vocalist's earnest, stripped-down cover has become so beloved that it's still one of his most played tracks during his solo concerts.
"I Need You" (1965)
Tom Petty & the Heartbreakers (2003)
Harrison's chiming 12-string track simply yearns to be covered by his former Traveling Wilburys bandmate. On 2003's Concert for George, Petty finally got to interpret it, and he and his Rickenbacker gently wept through this stunning tribute.
"Another Girl" (1965)
The George Martin Orchestra (1965)
When Martin wasn't producing the Beatles, he was covering them. Throughout his half-dozen albums dedicated to the Fab Four, this rendition remains the most imaginative, incorporating a wandering harmonica into his big band sound.
"You're Going to Lose That Girl" (1965)
Five Man Electrical Band (1969)
A year before they would breakthrough in the US with "Signs," the Ottawa quintet honed their stomping '70s sound with their self-titled debut, turning this raw, Lennon-led track into a remorseful and equally gritty ballad.
"It's Only Love" (1965)
Bryan Ferry (1976)
After the breakup of Roxy Music, Ferry shaped what would become the new romantic genre. This cover pulls from David Bowie's cabaret stylings, adding a sophisticated arrangement, late-night sax and delighted backup singers.
"You Like Me Too Much" (1965)
Randy Bachman (2018)
There's a surprising amount of Harrison tribute LPs on the market, possibly surpassing those celebrating McCartney. On this 2018 release, Bachman goes widescreen, delivering a full-band, glossy five-minute cover of this slight and delicate song.
"Tell Me What You See" (1965)
Teenage Fanclub (2001)
The birth of power pop was a response to '70s prog and hard rock, and a return to the British Invasion sound. Teenage Fanclub nail this movement with their spot-on cover of this hook-laden track.
"I've Just Seen a Face" (1965)
Holly Cole (1997)
The Halifax singer stands as one of Canada's great interpreters, covering showtunes, Disney classics and Tom Waits. Released as a single, Cole gives this one a wonderful, zeitgeist-defining trip-hop makeover.
"Yesterday" (1965)
Marvin Gaye (1970)
According to Guinness, "Yesterday" is the most covered song in recorded music, with over 2,200 renditions. But despite the stiff competition, nobody matches Marvin Gaye's deep awareness of the regret and vulnerability behind this classic.
"Day Tripper" (1965)
Otis Redding (1966)
Redding reverently said that Aretha Franklin "stole" "Respect" from him. But on his iconic fifth LP, he possibly does the same to the Beatles, delivering a stark version that has become just as timeless.
"We Can Work It Out" (1965)
Stevie Wonder (1970)
This Top 20 Billboard hit for Wonder isn't just a top-tier Beatles cover — this groovy, joyful, pulsating clavinet banger stands as one of his best singles ever. High praise, given Wonder's iconic catalogue.
"Drive My Car" (1965)
The Donnas (2005)
The wonderful 2005 Rubber Soul tribute LP This Bird Has Flown kicks off with energy. The California garage rockers never get too serious here, smirking through this cover while entirely grasping McCartney's fun, tossed-off, tongue-in-cheek vibe.
"Norwegian Wood (This Bird Has Flown)" (1965)
Cornershop (1997)
This Lennon track has been a wildly popular cover subject. But Cornershop's version – which finds Tjinder Singh bridging his British background and Indian heritage by singing the track entirely in Punjabi – may be the most profound.
"You Won't See Me" (1965)
Anne Murray (1974)
Believe it or not, Anne Murray's cover is a straight-up banger. Finding a soulful groove over distorted bass and hammered piano, the Canadian soft rocker took this single to RPM's Top 5 and Billboard's Top 10.
"Nowhere Man" (1965)
Paul Westerberg (2001)
Although one of their best compositions, "Nowhere Man" always seemed too extroverted for its subject matter. The former Replacements frontman strips it right down to acoustic guitar and ambient violin, capturing the song's empathy.
"Think for Yourself" (1965)
Pete Shelley (2012)
This Harrison track is one of the noisiest of their early songs, thanks to McCartney's fuzz bass. Here, the Buzzcocks leader goes even noisier, delivering nasty pub rock vocals over a wall of distortion.
"The Word" (1965)
Bettye LaVette (2010)
From its inception, this Lennon-led track was just aching for a gospel makeover. Although not limited to one genre, LaVette nonetheless gives this track a soulful reinterpretation, stretching it out to four celestial minutes.
"Michelle" (1965)
The Free Design (1967)
Since a Stereolab cover of this bilingual fan favourite sadly doesn't exist, this Free Design reinterpretation fills that void nicely. The forgotten-but-terrific NYC sunshine pop group delivers a sparkling Summer of Love reconstruction.
"What Goes On" (1965)
Sufjan Stevens (2005)
Rubber Soul is a perfect album, save its mid-point country jaunt. But Sufjan Stevens, no stranger to impossible tasks, completely disassembles this Starr-led track and rebuilds it as a world-beating, six-minute indie prog freakout.
"Girl" (1965)
Rhett Miller (2005)
This Rubber Soul track is so effortless, it's a mystery what makes it so damn appealing. But the Old 97s leader makes sense of it, mixing acoustic simplicity with swinging rhythms and a vibrant delivery.
"I'm Looking Through You" (1965)
The Posies (2004)
You can draw a line from Ringo's iconic organ stings on this track directly to Elvis Costello and through to his disciples. The Posies' hip-shaking third-gen reimagining provides all the proof you need.
"In My Life" (1965)
Johnny Cash (2002)
Forget "Hurt" — Cash's rusted interpretation of "In My Life" stands as his greatest cover. The melancholic, wistful song becomes one of gratitude and acceptance of a life lived. Just try not to weep.
"Wait" (1965)
Ben Kweller and Albert Hammond Jr. (2005)
Ben Kweller's collaboration with the Strokes' guitarist is a complete snapshot of mid-'00s indie rock. But Hammond's chic playing complements Kweller's post-Pavement drawl perfectly, making this track a keeper.
"If I Needed Someone" (1965)
The Hollies (1965)
Swiftly recorded and released as a single the exact same day that the Beatles released their original, the Hollies' soft beat makeover became the first Harrison-written track to hit the Top 30 in the UK.
"Run for Your Life" (1965)
Cowboy Junkies (2005)
Rarely covered since the '60s due to a reevaluation of the song's troubling themes, the Cowboy Junkies' eerie version changes the gender of the abuser and victim to shine a light on the song's misogyny.
Click "Next" to go to 1966."Paperback Writer" (1966)
Kris Kristofferson (1995)
Until the 1990s, country covers of Beatles songs were a rarity. The 1995 compilation Come Together proved how influential they were to the genre, as Kris Kristofferson offers a stark, no-nonsense cover of this dandy track.
"Rain" (1966)
Bongwater (1988)
This B-side was arguably the Beatles first foray into avant-garde music, featuring slowed-down tapes, droning instruments and backmasking. It makes sense that experimentalists Bongwater would transform it even further, making it odder and more alien.
"Taxman" (1966)
Soulive (2010)
With all respect to Harrison, "Taxman" is all about McCartney's crunchy, rubbery basslines. This is why, despite other high-profile covers, Soulive's funky bass and organ show proper reverence to the original.
"Eleanor Rigby" (1966)
Aretha Franklin (1969)
In one of many strokes of genius, Franklin sings this classic in the first person, stating "I'm Eleanor Rigby." Her impassioned vocals give the single more gravitas, removing it from McCartney's stable of character songs.
"I'm Only Sleeping" (1966)
Stereophonics (feat. Noel Gallagher) (2001)
Stereophonics were so massive in the UK in the early '00s that they could land one of the Gallagher brothers to back them up, giving this fantastically creaky acoustic cover some Britpop legitimacy.
"Love You To" (1966)
Yim Yames (2009)
On his Harrison tribute, My Morning Jacket leader Jim James (billed as Yim Yames) delivers a stripped-down, moody, acoustic cover, complete with aching echoed vocals and a banjo that hauntingly replicates the song's original sitar.
"Here, There and Everywhere" (1966)
George Martin (feat. Céline Dion) (1998)
McCartney wrote this track in response to the Beach Boys' "God Only Knows." Out of the dozens of high-profile covers, Céline Dion captures the pomposity Paul set out to capture with this sweeping love ballad.
"Yellow Submarine" (1966)
Pinky and Perky (1968)
"Yellow Submarine" is a kids' classic. That's why the essential cover would come from two marionette pigs. Part of a popular BBC show, Pinky and Perky's version one-ups the Chipmunks in its novelty and flair.
"She Said She Said" (1966)
The Black Keys (2002)
This Revolver track has displayed its influence across multiple genres and eras, and has been covered by everyone from Lone Star to Ween. The Black Keys demonstrate how essential its driving rhythms were to the 2000s garage rock revival.
"Good Day Sunshine" (1966)
Judy Collins (2007)
Some have called this vaudevillian McCartney track the only low point on Revolver. It took master interpreter Judy Collins to remove the gaudy edifice from the song for a gentle, controlled, naked-down reimagining.
"And Your Bird Can Sing" (1966)
Matthew Sweet and Susanna Hoffs (2006)
On their first of three covers LPs, Sweet and Hoffs tackle this power pop tentpole, combining dual guitar leads (from Television's Richard Lloyd and Voidoids' Ivan Julian) with Hoffs' paisley underground delivery.
"For No One" (1966)
Emmylou Harris (1975)
One of the finest Beatles covers out there, Emmylou Harris sighs her heart out over a pillowy arrangement, purifying the beauty behind yet another McCartney yearning ballad. Who needs that French horn solo anyways?
"Doctor Robert" (1966)
Luke Temple (2006)
One needs to search far and wide to find a great reinterpretation of this straightforward Lennon-led rocker. Here We Go Magic leader Luke Temple messes with the arrangement, delivering a perfectly sparse and weird reimagining.
"I Want to Tell You" (1966)
Melvins (2016)
Thanks to Harrison's riffing on this track, "I Want to Tell You" has been popular cover fodder amongst metalheads. Here, grunge pioneers Melvins grind through their version, giving it an alluring distorted bass sound.
"Got to Get You into My Life" (1966)
Earth, Wind and Fire (1978)
If the horrific Bee Gees vehicle Sgt. Pepper's Lonely Hearts Club Band gave us anything, it's this killer cover. Finding a groove that even the glitzy McCartney couldn't reach, it hit the Top 20 in Canada.
"Tomorrow Never Knows" (1966)
801 (1976)
Revolver's closing number is a benchmark for experimental rock. So it makes sense that a Brian Eno-led supergroup would tackle this, expertly deconstructing it, retitling it "T.N.K." and rebranding it as a six-minute glam/prog journey.
Click "Next" to go to 1967."Strawberry Fields Forever" (1967)
Candy Flip (1990)
Madchester became an important part of rave culture for its blending of electronic music and psychedelia. This short-lived group created a baggy revolution for the Second Summer of Love, landing at No. 3 in the UK.
"Penny Lane" (1967)
The Canadian Brass (1998)
"Penny Lane" was too "Sgt. Pepper" for Sgt. Pepper's. This piccolo, oboe and flugelhorn march is given an instrumental love letter by this Toronto quintet. To Canadian Brass, this is their "Yesterday."
"Sgt. Pepper's Lonely Hearts Club Band" (1967)
Jimi Hendrix (1967)
Adorned in legend before its official release in 2002, Hendrix covered this anthem in concert only three days after the Beatles released it on LP, giving the track a deep groove and fluid guitar solo.
"With a Little Help from My Friends" (1967)
Joe Cocker (1969)
The Beatles weren't at Woodstock, but this song was. Perhaps the only Beatles cover that is more iconic than its source material, Joe Cocker has become synonymous with this song thanks to his outrageously fiery performance.
"Lucy in the Sky with Diamonds" (1967)
William Shatner (1968)
Ridiculed upon release, The Transformed Man has been reassessed as one of the great oddball classics. This is due to Shatner's melodramatic reading of this beloved Beatles track over sci-fi effects and Muzak backup vocals.
"Getting Better" (1967)
The Wedding Present (1997)
On the rerelease of their 1987 debut, the Wedding Present included a punchy version of this neglected Sgt. Pepper's track. Anchored by stark sing-song vocals, their rendition predates Art Brut and Dry Cleaning by decades.
"Fixing a Hole" (1967)
World Party (2012)
Released on an odds and sods compilation, World Party's Karl Wallinger replaces the song's iconic harpsichord with confident trudging keyboards and refined hushed vocals that defined turn-of-the-'90s modern rock.
"She's Leaving Home" (1967)
Billy Bragg with Cara Tivey (1988)
Although only two Beatles covers hit No. 1 in the US, there's a half-dozen that have topped the UK charts. The finest may be the gruff piano ballad from Bragg and journeywoman Cara Tivey.
"Being for the Benefit of Mr. Kite!" (1967)
Frank Sidebottom (1988)
On one of the oddest and most intricate Beatles songs, elaborate musical mascot Frank Sidebottom incorporated lyrics from other Beatles tracks and included Sgt. Pepper's "infinite groove" while making a wonderful mockery of it all.
"Within You Without You" (1967)
Sonic Youth (1988)
Harrison was the most investigational member of the Beatles. This is why noise artists were drawn to his songs, particularly his ragas, which Sonic Youth replicated utilizing their own uniquely tuned drones.
"When I'm Sixty-Four" (1967)
Barry Gibb (2014)
Pre-disco Bee Gees were majorly indebted to the sound of the Beatles. Although they've covered the Fab Four multiple times, Barry Gibb's cover lovingly simulates the original almost flawlessly — except that Barry was 68 when he recorded it.
"Lovely Rita" (1967)
The Flaming Lips (feat. Tegan and Sara and Stardeath and White Dwarfs) (2014)
The Lips recruited musicians to cover the Beatles' most celebrated album. The results were a mix of idolatry and idolcide, proven by this superb melding of the Lips' dark psychedelia and Tegan and Sara's pristine pop.
"Good Morning Good Morning" (1967)
Easy Star All-Stars (feat. Steel Pulse) (2009)
Although Easy Star All-Stars aren't much more than a novel cover group, they managed to assemble a crew of reggae icons for this Beatles LP. Here, Steel Pulse keep the floaty and sun-drenched theme intact.
"Sgt. Pepper's Lonely Hearts Club Band (Reprise)" (1967)
The Waterboys (1987)
Sgt. Pepper's penultimate track on is a lighthearted truncated addendum. Recorded live in Dublin in 1987, these Irish folkies stretch this version out to a blissful five minutes, jamming out on organ and saxophone.
"A Day in the Life" (1967)
The Fall (1988)
Normally held with high regard, it's refreshing to see Mark E. Smith cover this song with such imperfection. Aided by a lovely arrangement, Smith growls in and out of tune, making this classic perfectly human.
"All You Need is Love" (1967)
Yellow Magic Orchestra (1980)
Part of the first live global broadcast, Lennon's sanguine single shows how far their influence reached. During their 1980 tour, these Japanese electronic pioneers melded it with "The Star-Spangled Banner" in tribute to Western influences.
"Baby, You're a Rich Man" (1967)
Wooden Wand (2012)
Under the musical accoutrements and experimentations, this B-side is surprisingly elegant at its core. That may be why freak folkster James Jackson Toth strips it right down to an ambient slow-builder, revealing its hidden beauty.
"Hello, Goodbye" (1967)
The Cure (feat. James McCartney) (2014)
The brilliance of the Cure lies in their melding of gloom and cheerfulness. That's why the Beatles' most jovial track seems tailor-made for them, bringing in McCartney's son just for extra positivity points.
"I Am the Walrus" (1967)
Oasis (1994)
No list would be complete without an appearance from the greatest unintentional Beatles cover act. This live cut, recorded in Glasgow in 1994, absolutely nails Lennon's driving delivery while injecting an undying, almost punk confidence.
"Magical Mystery Tour" (1967)
Cheap Trick (1991)
The Ohio rock group have covered over a dozen Beatles tracks live. On their only one recorded in the studio, Cheap Trick deliver a punchy and polished version for the late-'80s hairspray nation.
"Your Mother Should Know" (1967)
R. Stevie Moore (1975)
Of R. Stevie Moore's hundreds of cassettes released, his 1975 instrumental Beatles covers LP is simultaneously his least essential and a must-hear. Wailing through a tinny, choppy version of this track gives insight into Moore's fractured appeal.
"The Fool on the Hill" (1967)
Bruce Cockburn (2013)
"The Fool on the Hill" stands as McCartney's most perceptive song. It makes sense that political raconteur Bruce Cockburn would tackle it, giving it a spiritual aura thanks to its gamelan drone and peaceful delivery.
"Flying" (1967)
The Residents (1988)
The first instrumental released by the Beatles is structurally strange enough for the Residents to lampoon. Here, the experimentalists play with timbre and rhythm, releasing a wonderfully warped, disturbing and demented deconstruction.
"Blue Jay Way" (1967)
Colin Newman (1982)
This underrated track is a showcase for Harrison's sound experiments, integrating Hammond, Leslie and Tascam drones. In that spirit, Newman uses this song to demonstrate what he could achieve without his Wire bandmates, crafting a studio masterwork.
Click "Next" to go to 1968."Lady Madonna" (1968)
Fats Domino (1968)
Domino's rendition of this back-to-basics single is an example of a full-circle reclamation of a sound. McCartney acknowledged that Fats had inspired the track, so the 40-year-old included his shiny, charming, boogie-woogie version on his comeback LP, Fats Is Back.
"The Inner Light" (1968)
Jeff Lynne, Dhani Harrison and Anoushka Shankar (2003)
Concert for George was more than just a posthumous tribute — it was a gathering of George's loved ones. Jeff Lynne, joined by Harrison's son and Ravi Shankar's daughter, delivers an affectionate cover of this raga rock B-side.
"Hey Jude" (1968)
Elvis Presley (1972)
Originally a skeptic, it took Elvis until '69 to cover the Beatles. The most fitting of his four reinterpretations is his maudlin version of "Hey Jude," a gorgeous song as bedazzled as the King himself.
"Revolution" (1968)
Grandaddy (2001)
This song would define Lennon's entire solo career: political, raw, tortured and honest. Grandaddy's tossed-off, monochromatic cover keeps things tempered and cool, presenting a wonderfully fascinating counterpoint to this normally bombastic anthem.
"Back in the U.S.S.R." (1968)
Dead Kennedys (1979)
Written to undermine Chuck Berry's jingoistic "Back in the U.S.A.," McCartney took flak for this song. Recorded as the Cold War was heating up, Dead Kennedys' lightning-quick cover adds an extra layer of subversion.
"Dear Prudence" (1968)
Siouxsie and the Banshees (1983)
Revealing the original's mopey undertones while adding a slight dance beat, Siouxsie's cover became a benchmark of '80s goth, landing at No. 3 and remaining the band's biggest hit in the UK.
"Glass Onion" (1968)
Phish (1994)
On this live cover (one of hundreds they've performed), Phish lighten the mood on Lennon's angry "fuck you" song, adding a jaunty rhythm and even laughing their way through part of it.
"Ob-La-Di, Ob-La-Da" (1968)
Alan Thicke (1970)
After getting his start on the CBC, Thicke would release a largely forgotten musical comedy album. He mugs and whoops it up through this cover, strangely not sounding too far removed from McCartney's jocular original.
"Wild Honey Pie" (1968)
Pixies (1988)
No one does filler songs as captivatingly as the Beatles. On their 1988 BBC session, Pixies transform this short interstitial into a two-minute freakout, just as menacing and furious as tracks like "Tame" and "Debaser."
"The Continuing Story of Bungalow Bill" (1968)
Dawn Kinnard and Ron Sexsmith with the Suppliers (2008)
Teaming up with Ron Sexsmith for a duet, '00s singer-songwriter Dawn Kinnard uses her vibrating, creaky, fractured singing voice to turn this sprightly Lennon story song into a creepy, unhinged, pulsating spine-tingler.
"While My Guitar Gently Weeps" (1968)
Damon & Naomi (2005)
While many musicians use their cover of this song as a vehicle to shred some guitar, former Galaxy 500 members Damon & Naomi instead choose to illuminate Harrison's underrated gentle phrasing and stunning lyrics.
"Happiness Is a Warm Gun" (1968)
The Breeders (1990)
In the indie world, this is the holy grail of Beatles covers. The Breeders' modified reinterpretation expertly plays with dynamics and mood more effectively than anything on Pod, an album known for its healthy dynamics.
"Martha My Dear" (1968)
Vashti Bunyan and Max Richter (2008)
Perhaps the only thing sweeter than a love song to a dog is the story of redemption. After 35 years away from music, Bunyan followed up her 2005 sophomore LP with this wistful, gossamer cover.
"I'm So Tired" (1968)
Alex Chilton (1981)
The former Big Star leader's first two solo albums were trashed for being deliberately sloppy and lacklustre. But his cover of Lennon's ode to insomnia completely works based on Chilton's wandering and blurred performance.
"Blackbird" (1968)
Sarah McLachlan (2001)
This campfire song has been covered by dozens of high-profile artists, but pairing Sarah McLachlan's history of cross-species altruism with her quiet, yearning delivery gives an equally important meaning to this progressive anthem.
"Piggies" (1968)
Pumajaw (2008)
This track (among other White Album tracks) was absorbed by Charles Manson as "personal messages." That's why Loop side-project Pumajaw's silly and quaint piss-take sounds so essential, deleting its association with a madman.
"Rocky Raccoon" (1968)
Richie Havens (1972)
Thanks to his appearance in the Woodstock documentary, Richie Havens gained a reputation as a fiery live performer. On his concert LP, he bashes away at his acoustic, giving this playful song a level of gravitas.
"Don't Pass Me By" (1968)
Field Music (2008)
The first Ringo composition on an album, this track has been dismissed due to its rustic country arrangement. But Field Music rearrange it into an indie prog anthem, properly revealing its lovely lyrics and melodies.
"Why Don't We Do It in the Road?" (1968)
Today Is the Day (2000)
Essentially a McCartney solo outing, this two-minute ditty is perfect fodder for a grindcore makeover. Noise rock musician Steve Austin flirts with the aforementioned genre, delivering a relentless and punishing reimagining.
"I Will" (1968)
Diana Ross (2006)
A major influence on the early sound of the Beatles, Diana Ross returns the adulation by giving this track her iconic theatrical spin, standing as a rare highlight on her maligned 2006 LP I Love You.
"Julia" (1968)
Sean Ono Lennon (2001)
Rather than dedicating this performance to the song's original muse (his grandmother), Sean pays homage to his own mother, who endured an equally devastating loss.
"Birthday" (1968)
Paul Weller (2012)
Working with Noel Gallagher and Graham Coxon, the former Jam vocalist turns this arena jumbotron classic into a boogie-woogie, pub rock workout, rumbling though McCartney's self-aware, cheesy lyrics.
"Yer Blues" (1968)
The Jeff Healey Band (1995)
If Paul grew up on a love of vaudeville, George on skiffle and Ringo on country, John's first love was blues. Here, Healey demonstrates the pain, passion and swagger needed to complement that lineage.
"Mother Nature's Son" (1968)
Ramsey Lewis (1968)
Ramsey Lewis (alongside bassist Cleveland Eaton and Earth, Wind & Fire's Maurice White on drums), doesn't just cover the Beatles in his style, he also incorporates the influence and experimentation of the psychedelic '60s.
"Everybody's Got Something to Hide Except Me and My Monkey" (1968)
The Feelies (1980)
One of the most inventive acts of the post-punk era, the New Jersey quartet deliver a jittery, jagged and polyrhythmic cover of this already weird and paranoid Lennon-led track.
"Sexy Sadie" (1968)
Kush Mody (feat. Anderson .Paak) (2014)
According to John, this was a criticism of the Maharishi's unwanted advances on Mia Farrow. Score composer Kush Mody recruits Anderson .Paak, adding a minimal arrangement and rapped bridge to repurpose it as an anti-harassment anthem.
"Helter Skelter" (1968)
Mötley Crüe (1983)
Mötley Crüe give a rundown of what makes this such a favourite amongst metal and hard rock artists: mimicking Paul's howl, making power chords more powerful, and welcoming the demons Charles Manson claims it releases.
"Long, Long, Long" (1968)
Tom Hooper (2009)
This tempered and ethereal arrangement appeals to indie rock artists like Elliott Smith and Jim James. But Grapes of Wrath's Tom Hooper captures the song's devotion, sighing through the verses and weeping through the chorus.
"Honey Pie" (1968)
Barbra Streisand (1969)
After recoding several LPs based on standards and show tunes, Babs's foray into pop music included one of McCartney's ragtime ditties. Here, she injects the right amount of humour and pizazz to make it work.
"Savoy Truffle" (1968)
They Might Be Giants (2003)
Taking some lyrics from a box of chocolates, this is a rare look into the humour of the Quiet One. Included on a Harrison tribute, TMBG brilliantly go rogue, delivering this song straight-laced and deadpan.
"Cry Baby Cry" (1968)
Throwing Muses (1991)
After releasing an original called "Cry Baby Cry" in 1987, the Boston band took on the Beatles' track of the same name, turning this criticism of commercialization into a ringing, yearning love song.
"Revolution 9" (1968)
Alarm Will Sound (2016)
Once deemed uncoverable, the advent of digital samplers has allowed experimental chamber ensemble Alarm Will Sound to not only record it but take it out on tour, bringing the audience on a strange journey through the noise.
"Good Night" (1968)
The Carpenters (1969)
Written by Lennon for his son, "Good Night" is so tender it would sound cynical in the wrong hands. But the wholesomeness of Karen Carpenter does it justice, as she affectionately coos over a vintage-sounding orchestra.
Click "Next" to go to 1969."Only a Northern Song" (1969)
Gravenhurst (2012)
One of the last recordings before his untimely death, Gravenhurst's rendition of Harrison's psychedelic organ dirge is one of his finest — a perfect showcase for his glazed shoegaze sound, layering rhythmic electronics under his whisper.
"All Together Now" (1969)
Jim White (2012)
Although the lyrics seem to celebrate the joys of polyamory, "All Together Now" is essentially a children's song. Singer-songwriter Jim White reconnects it with its adultness, delivering a grimy, dark and sexy cover.
"Hey Bulldog" (1969)
Fanny (1972)
Recorded at Apple Studio with their engineer Geoff Emerick, Fanny's peppy, affectionate tribute became one of the first covers the Beatles would support, even signing off on the band's decision to change some lyrics.
"It's All Too Much" (1969)
The House of Love (1992)
The '60s nostalgia that swept American '80s modern rock didn't hit the UK until decade's end. On this B-side, the underrated quartet connects Harrison's Summer of Love with the paisley UK revival.
"Get Back" (1969)
Billy Preston (1978)
Anyone who has watched Peter Jackson's eight-hour documentary knows that "Get Back" belongs to Billy Preston. Proof lies in his terrific cover version, where Preston recreates the original arrangement and further ignites the already fiery song.
"Don't Let Me Down" (1969)
Ben E. King (1970)
Before Lennon covered "Stand by Me," his musical hero paid him a compliment. Here, King absolutely nails John's anguished howl and desperate pleas, making this a standout track on his comeback LP.
"The Ballad of John and Yoko" (1969)
Widespread Panic (2012)
Post-Rubber Soul Beatles would become popular cover material for jam bands, as their spacious but complex arrangements led to great live performances. Widespread Panic's reinterpretation is exactly that, adding extended piano and classical guitar tradeoffs.
"Old Brown Shoe" (1969)
Conan O'Brien (2014)
George Fest was a star-studded tribute to Harrison, featuring a unique lineup that included Black Rebel Motorcycle Club and "Weird Al" Yankovic. But the greatest revelation was Conan's electrifying and high-energy cover of this B-side.
"Come Together" (1969)
Aerosmith (1978)
No matter your opinion on Aerosmith, there's little disagreement on their version of "Come Together," a song practically written for Steven Tyler to slink and shimmy across. The Toxic Twins would never again sound so funky.
"Something" (1969)
Norah Jones (2016)
No musician was more influential to Harrison's evolution as an artist than Norah Jones's father, Ravi Shankar. That's why this charmingly soulful cover of his most expressive composition feels so organic, suitable and poignant.
"Maxwell's Silver Hammer" (1969)
The Bells (1971)
Montreal quintet the Bells were a soft rock, AM gold presence in the '60s. Their cover of one of the Beatles' weirdest, most intricate and mysterious tracks is such a pleasure to hear.
"Oh! Darling" (1969)
George Benson (1970)
Benson's jazzy cover of Abbey Road finds him lumping songs into medleys. But his big band arrangement of this track finds him serenading through peaks and valleys, making it clear why it required standalone billing.
"Octopus's Garden" (1969)
Raffi (1985)
"Yellow Submarine" became the definitive Ringo song. That's why, three years later, he took it on himself to recapture that magic. Raffi's quirky and loveable cover makes it clear: Ringo knew how to reach kids.
"I Want You (She's So Heavy)" (1969)
Eddie Hazel (1977)
The last song the Beatles recorded uncovers new territories, namely John's Latin blues riffs and Moog. This falls directly into the wheelhouse of Funkadelic guitarist Eddie Hazel, who transforms it into a scorching, nine-minute guitar solo.
"Here Comes the Sun" (1969)
Nina Simone (1971)
This track is one of the most-covered Beatles songs, perhaps because of how Harrison captures the optimism of the lyrics. Here, Simone comes off crusty-eyed, aching for positivity to arise from the tumultuous '60s.
"Because" (1969)
Elliott Smith (1999)
Elliott Smith's love of the Beatles shaped his solo career. It's apparent in his cover of the stark, radiating, Lennon-led track. Smith's version becomes even more haunted, standing as one of his most crystalline recordings.
"You Never Give Me Your Money" (1969)
Sarah Vaughan (1981)
The flip side of Abbey Road is wildly popular across R&B and rock. But this opening song finds McCartney abandoning British big band for American jazz. Sarah Vaughan makes this her own, trading skepticism for emotion and humour.
"Sun King" (1969)
Gomez (2009)
For many people, "Sun King" is all about those stunning three-part harmonies. But on Gomez's hazy cover, the quartet instead focus on the song's atmosphere, melding acoustic guitar, hand drums, field recordings and whirring synth.
"Mean Mr. Mustard" (1969)
Frankie Howerd (1978)
Judging by the songs he wrote in India, John was in a dark place. That's what makes this British comedic actor's droll synth and vocoder version one of the greatest left-field Beatles interpretations ever.
"Polythene Pam" (1969)
Roy Wood (1976)
All This and World War II is a bizarre piece of work, juxtaposing Beatles covers and WWII footage. What's stranger is Roy Wood's contribution. The Move/ELO multi-instrumentalist delivers a glam rocking show tune exorcism with duelling guitars and synthesizers.
"She Came in Through the Bathroom Window" (1969)
Ike & Tina Turner (1972)
What makes Abbey Road's medley so epic is the dynamic shifts between songs, and this McCartney-led track is a barnburner between two babbling brooks. Tina Turner recognizes this, wailing overtop her band's stomping rhythms.
"Golden Slumbers" (1969)
Ben Folds (2001)
Did the Beatles stick this on side two because they had no faith in it? To show its worth, Folds doesn't change a single thing, he just presents it as the sweepingly gorgeous song it is.
"Carry That Weight" (1969)
Inner Circle (1980)
There's a brilliance in the fact that Inner Circle recognized that this 90-second interstitial would make for such a festive reggae song. Here, they push it to four minutes, chanting and panting above bubbly rhythms.
"The End" (1969)
London Symphony Orchestra (1976)
"The love you take is equal to the love you make" is possibly the most famous Beatles lyric. On the All This and World War II soundtrack, this line is given the imperial treatment it deserves.
"Her Majesty" (1969)
The Low Anthem (2009)
This 30-second song is considered the first "hidden track." It's become such an important part of Abbey Road that the Low Anthem recorded a lovely plucked and whispered version to appear on Mojo's tribute LP.
Click "Next" to go to 1970."Let It Be" (1970)
Bill Withers (1971)
Although he's often considered an R&B artist, Withers falls in more with the '70s singer-songwriter genre. His brief cover of this classic proves just that, as he goes full troubadour over a rhythmic acoustic guitar.
"You Know My Name (Look Up the Number)" (1970)
Bossacucanova (2009)
One of the least-covered Beatles songs may have one of the coolest reinterpretations. This Brazilian electronic band turn the Beatles' final B-side into a danceable, psychedelic, bossa nova celebration, nearly eclipsing the original.
"Two of Us" (1970)
Aimee Mann and Michael Penn (2001)
It's been said that no one can master a harmony like siblings. But Mann and Penn's incredibly moving cover of this Everly Brothers-inspired track proves that romantic partners can lock in just the same.
"Dig a Pony" (1970)
Lake Street Dive (2021)
If St. Vincent ever officially releases her scorching live cover of the Lennon-led song, it would probably take the crown. Until then, Lake Street Dive's suave, soulful and Southern rock cover reigns supreme.
"Across the Universe" (1970)
David Bowie (1975)
Consider this a three-way tie between Fiona Apple's crystalline version, Rufus Wainwright's lovelorn interpretation and David Bowie's husky soul analysis. Bowie slightly edges out the Gen Xers for being the first to master this classic.
"I Me Mine" (1970)
Britt Daniel (2016)
Lennon's apparent ridicule of this track caused Harrison to temporarily leave the Beatles. On the George Fest concert album, the Spoon leader provides a level of reverence and adoration, turning it into a punchy celebration.
"Dig It" (1970)
Laibach (1988)
The only way to hear a cover of this 50-second ramble would be on a Let It Be tribute LP. Laibach do just that, presenting a steely, angular take on the Beatles' most earthy album.
"I've Got a Feeling" (1970)
The Besnard Lakes (2010)
The best covers give a song an element no one knew it needed. The Montreal sextet smooth over the punchiness for a warm shoegaze glow, allowing the doleful lyrics to hit a little harder.
"One After 909" (1970)
Willie Nelson (1995)
One of the first Lennon-McCartney compositions (written in the late '50s), "One After 909" sounds like a Willie Nelson song. The country icon recognizes this, barely changing anything about his cover and sounding completely at home.
"The Long and Winding Road" (1970)
Yusuf Islam (2014)
From Cat Stevens to Yusuf Islam, this iconic singer-songwriter has long been fascinated with spirituality. On his wonderfully rasping and vulnerable cover, Yusuf turns McCartney's crooning love song into memoriam on a life lived.
"For You Blue" (1970)
Dhani Harrison (2013)
Covers are beloved because they draw a straight emotional line between the artist and original composer. That's why it's so wonderful to hear George's only son connect with his father in such a profound way.
Although many artists merely covered the Fab Four's music in search of a Top 10 hit — which has been achieved by countless artists, from bossa nova king Sérgio Mendes ("The Fool on the Hill") to teen popstar Tiffany ("I Saw Him Standing There") to Dutch novelty act Stars on 45 ("Medley") — many of the most important artists of the 20th and 21st centuries have paid tribute to the Beatles. This includes Elvis Presley, Brenda Lee, Little Richard, Aretha Franklin, Marvin Gaye, Diana Ross, Bob Dylan, Tina Turner and the Rolling Stones (kinda).
Careers have been made by musicians who exclusively cover the music of the Beatles (Beatallica, the Punkles, Yellow Matter Custard). There have been dozens of albums dedicated strictly to Beatles covers (Count Basie's Basie's Beatle Bag, the Smithereens' B-Sides the Beatles and the Flaming Lips' With a Little Help from My Fwends) and countless tribute albums, musicals and soundtracks.
There's no question that covering the Beatles is as good an artistic statement as it is a financial statement. In recognition of the phenomenon of the Beatles cover song, here's the greatest remake of each of their 184 tunes.
Scroll down to begin the list in 1962–1963, or skip ahead by year at the following links:
1964
1965
1966
1967
1968
1969
1970
"Love Me Do" (1962)
Daniel Johnston (1994)
Considering that this is the song that kicked it all off for the Beatles, there are surprisingly few covers of "Love Me Do." Perhaps because of the song's underlying vulnerability, it's perfect fodder for Texas outsider musician Daniel Johnston.
"P.S. I Love You" (1962)
Santo & Johnny (1964)
From the start, artists realized that the Beatles couldn't put out every song as a single. This led Brooklyn instrumental duo Santo & Johnny to release a swinging cover of this "Love Me Do" B-side.
"Please Please Me" (1963)
Matt Dusk (2004)
John Lennon credits the influence behind the Beatles' second single to Roy Orbison and Bing Crosby, originally imagining it as a ballad. Here, Toronto crooner Matt Dusk elegantly intensifies the track's romantic undertones.
"Ask Me Why" (1963)
Litto Nebbia (2008)
This track features John playing guitar sevenths reminiscent of flamenco. That may be why the few covers that do exist come from Latinx musicians, including this tender and stylish ballad from Argentina's beloved rock god.
"I Saw Her Standing There" (1963)
Little Richard (1970)
Once you hear McCartney howling "whoooo," there's no doubt that this is a Little Richard rip-off. That's why, when Richard returned from a decade-long sojourn into gospel, he took his jubilant howl back.
"Misery" (1963)
Flamin' Groovies (1976)
Shake Some Action is a stone-cold power pop classic. This chiming two-minute Beatles album cut fits perfectly into the San Francisco band's oeuvre of brash, fast and grimy guitar rock.
"Do You Want to Know a Secret" (1963)
Count Basie (1966)
Count Basie was such a fan that he released two Beatles covers albums in the '60s. No song better fits his style than this strolling, big band arrangement of Harrison's first vocal lead.
"There's a Place" (1963)
The Dickies (1998)
With its plodding harmonica and verses, Please Please Me's penultimate track ached for a redo. Pop-punk originators the Dickies give it a much-needed boost in snottiness, even shaving 10 seconds from its 1:50 runtime.
"From Me to You" (1963)
Del Shannon (1963)
Shannon's version of this song hit No. 13 on the Canadian charts, becoming the first Lennon-McCartney song to chart in North America. Here, Shannon does a extraordinary job at mimicking the Beatles' shaggy sound.
"Thank You Girl" (1963)
The Smithereens (2008)
Covering the Beatles was practically a side gig for the Smithereens. Near to the end of their career, they doubled down on this, reinterpreting the band's often-overlooked B-sides with a healthy heaping of adulation.
"She Loves You" (1963)
Brenda Lee (1965)
Lee's astonishing run of 11 Top 10 Billboard hits happened before she even turned 20. Only 21 here, Brenda sound like a veteran while managing to inject a shot of youthful exuberance to this single.
"I'll Get You" (1963)
The Inmates (1988)
John sang some menacing songs disguised as upbeat pop rockers. Glass-chewing British pub rockers the Inmates add some much-needed grit to this disquieting stalker-fantasy B-side, recorded on their live album of Beatles covers.
"It Won't Be Long" (1963)
Redd Kross (1984)
Moving from hardcore to power pop (and changing their name from Red Cross), these Californians discovered the splendour behind a fantastic melody, keeping the punky call-and-response chorus intact while almost verging on hair metal.
"All I've Got to Do" (1963)
Susanna Hoffs (2012)
The former Bangles vocalist has recorded multiple covers, mostly from the paisley '60s. On her 2012 Beatles tribute EP, From Me to You, Hoffs matches her stylish, sleek vocals to this chic Lennon-sung track.
"All My Loving" (1963)
Darlene Love (2014)
From Smokey to Elvis, many idols of the Beatles would go on to return the adoration. It took Darlene Love over 50 years to give her own brassy retelling of this quaint Canadian chart topper.
"Don't Bother Me" (1963)
Gregory Phillips (1964)
The first Harrison-written track to appear on a Beatles album is an underrated gem. Former child actor Gregory Phillips did this song justice, giving it a swinging makeover and releasing it as a single.
"Little Child" (1963)
Wreckless Eric and James Nicholls (2013)
Beginning in 2013, British magazine Mojo included Beatles cover completions to celebrate each album's 50th. Here, new wave pioneer Wreckless Eric delivers a ripping, no-nonsense cover of this With the Beatles cut.
"Hold Me Tight" (1963)
Les Baronets (1964)
Before managing (and marrying) Celine Dion, René Angélil had his own career with Les Baronets. Mostly taking on English hits, their fantastic shouty cover of "Hold Me Tight" — "C'est fou mais c'est tout" — was a French-language hit.
"I Wanna Be Your Man" (1963)
The Rolling Stones (1963)
This one's a bit of a cheat. After writing this for the Stones as a single, the Beatles later recorded it themselves. Knowing they couldn't match Mick's intensity, they buried it on side two.
"Not a Second Time" (1963)
Pretenders (1990)
This penultimate With the Beatles track has become popular cover fodder. But no one does it better than Chrissie Hynde's slinky, sexy version she recorded with a fractured version of her band.
"I Want to Hold Your Hand" (1963)
Al Green (1969)
Black America Sings Lennon & McCartney is a treasure trove of classic covers. Green's reimagining may just be the best from this two-volume compilation. Here, he complements this straight-ahead rocker with a galloping melody.
"This Boy" (1963)
Keely Smith (1964)
Finding fame in the '50s with then-husband Louis Prima, Keely Smith rekindled her career with a Beatles covers LP. Her velvety big band take on this B-side — changed to "This Girl" — allowed the Greatest Generation to appreciate those four mop-tops.
Click "Next" to go to 1964."I Call Your Name" (1964)
The Mamas and the Papas (1966)
The sole original on the UK-only Long Tall Sally EP, this tracked was snatched up by the Mamas and the Papas for their debut. They soar through the Beatles' harmonies, as demonstrated on their Ed Sullivan appearance.
"Can't Buy Me Love" (1964)
Ella Fitzgerald (1964)
Although the Beatles wrote this single for their film debut, jazz legend Ella Fitzgerald reimagines the song as a climax in a 1940s Broadway musical, earning her a Top 40 UK hit in the process.
"You Can't Do That" (1964)
Nilsson (1967)
Before he became mates with Lennon, Harry Nilsson was already establishing a relationship. This Top 10 Canadian hit comes off like a Lennon-McCartney career overview in two minutes, incorporating lines from 17 other Beatles songs.
"A Hard Day's Night" (1964)
Peter Sellers (1965)
The fact that this quirky cover (in which Peter Sellers recites the song's lyrics in his best Laurence Olivier voice) hit the UK Top 20 proves just how popular the Beatles (and Sellers) were by this time.
"I Should Have Known Better" (1964)
The Beach Boys (1965)
If anyone could come close to besting the Fab Four, it was the Beach Boys. Recorded "live" at a party, they captured the pure thrill in singing your heart out to a Beatles song.
"If I Fell" (1964)
Roberta Flack (2012)
Many faded artists record Beatles cover LPs because it's a guaranteed seller. But early-'70s superstar Roberta Flack injects such passion on this modern-sounding ballad that it can only be described as a love letter.
"I'm Happy Just to Dance with You" (1964)
Bachman Cummings (2007)
In 2007, this duo recorded songs that originally influenced them. This sentimental Harrison-led single is a strange choice, but their hushed vocals and plucked guitars gives insight into the gentle side of the Guess Who.
"And I Love Her" (1964)
Kurt Cobain (2015)
The only highlight on unlistenable posthumous cash-grab demo recordings LP Montage of Heck is this hallowed, haunted cover of "And I Love Her." Here, Cobain sighs through this initially stickily optimistic McCartney-sung single.
"Tell Me Why" (1964)
April Wine (1982)
Beatles covers were strangely absent from the hair metal era of the '80s. But April Wine managed to turn this two-minute Lennon-led basher into an aching blues ballad that was released as a single.
"Any Time at All" (1964)
Bryan Adams (2014)
The original version has Lennon nearly bursting at the seams. Fifty years later, Adams smoothed over the rough edges but remained dedicated to the song's brawny declarations.
"I'll Cry Instead" (1964)
Chet Atkins (1966)
Of the 12 Beatles covers Atkins recorded, the country-tinged "I'll Cry Instead" makes most sense. This instrumental adds bouncing bass, a shuffle beat, hooting harmonica and takes the track into dusty new territories.
"Things We Said Today" (1964)
Bob Dylan (2014)
It took 50 years for Dylan to record a Beatles cover. But when he did, he chose perhaps the greatest hidden gem in their catalog. He detachedly growls through it, making it sound completely Dylanesque.
"When I Get Home" (1964)
The Rustix (1969)
In 1969, Motown launched a rock subsidiary, Rare Earth Records. That's why it makes sense that one of their first signings, the Rustix, recorded a soul cover of Lennon's Supremes-influenced rocker.
"I'll Be Back" (1964)
Cliff Richard (1967)
In the early '60s, the Beatles wrestled the title of England's biggest hitmaker away from Cliff Richard. It only makes sense that the icon would ride their coattails with this terrifically lulling Spanish-tinged cover.
"I Feel Fine" (1964)
The Ventures (1965)
The Ventures are essentially the only cover band inducted into the Rock and Roll Hall of Fame. It wouldn't take them long to tackle the Beatles. This instrumental effortlessly captures the original's swinging '60s vibe.
"She's a Woman" (1964)
Scritti Politti (feat. Shabba Ranks) (1991)
One of the most unrecognizable Beatles covers is also one of the most recent ones to hit the UK Top 20. Melding new wave with reggae, this crafty reimagining is as 1990s as it gets.
"No Reply" (1964)
Memoryhouse (2021)
Another one of Lennon's darker songs, "No Reply" was originally paired with a poppy arrangement. On their first set of new music in five years, Guelph's Memoryhouse gave it a gorgeously catatonic, hazy makeover.
"I'm a Loser" (1964)
Marianne Faithfull (1965)
On her debut, Faithfull wanted to meld the pop sound of the day with the receding folk sound. Her cover of this Beatles for Sale track succeeds by bringing panache and sophistication together.
"Baby's in Black" (1964)
Rubén Blades y Son del Solar (1992)
Proof of how popular the Beatles remain throughout the Latin diaspora, Panamanian superstar Rubén Blades showed his love for this little-covered album track, lovingly giving it a silky salsa makeover.
"I'll Follow the Sun" (1964)
Glen Phillips (2009)
Beatles covers are easy for musicians to forage when asked to contribute to a soundtrack. Here, the Toad the Wet Sprocket vocalist makes this buoyant track more sugary — ideal for forgotten Eddie Murphy vehicle Imagine That.
"Eight Days a Week" (1964)
The Runaways (1978)
The Runaways' final LP was low on Joan Jett-written songs, as Lita Ford had begun to take over. This popular Beatles cover doesn't sound like anything members would later record, but stands as a groovy, sultry sendoff.
"Every Little Thing" (1964)
Yes (1969)
Leave it to Yes to turn this straightforward two-minute lament into a six-minute spectacle. Included on their debut, the prog icons disregard the original arrangement, focusing on spurts of vocal melodies and enhanced timpani crashes.
"I Don't Want to Spoil the Party" (1964)
Rosanne Cash (1989)
The only Lennon-McCartney composition to ever top the country charts in Canada and the US, Cash makes it completely her own. This cover is the definitive version for many country fans.
"What You're Doing" (1964)
Lisa Lauren (2006)
Here it is: the least-covered Beatles song according to multiple sources. But this Chicago nu jazz vocalist shows her true fandom by including this delightfully breathy, cello-assisted rendition to her Beatles covers LP.
Click "Next" to go to 1965."Ticket to Ride" (1965)
Hüsker Dü (1986)
In 1986, Hüsker Dü were transforming from hardcore punk to indie pioneers. This cover injects tough-but-sweet two-part harmonies overtop of mountainous drums and buzzsaw guitars, showing off their legendary range.
"Yes It Is" (1965)
Don Henley (1986)
On the first ever Bridge School Benefit concert, organized by Neil and Pegi Young, Henley tackled this underrated B-side, bringing out four backup singers to help him totally nail the song's vivacious acoustic shuffle.
"Help!" (1965)
Tina Turner (1984)
After three flops, Turner's label played it safe, releasing covers as the first two singles from Private Dancer. Nonetheless, her rendition of "Help!" is a yearning slow jam that set the stage for her breakthrough.
"I'm Down"
White Flag (1987)
These bratty California punks adopted a faux pro-Reagan/Christian stance during the hardcore boom just to appear contrarian. It makes sense that they would sloppily rip through this Help! B-side for their Beatles tribute/parody, Sgt. Pepper.
"The Night Before" (1965)
Herbie Mann (1966)
In the mid '60s, Herbie Mann decided to ditch standards for modern-day fare. His lengthy cover of this surprisingly groovy Beatles track found the American flautist absolutely nailing the sound of swinging England.
"You've Got to Hide Your Love Away" (1965)
Eddie Vedder (2001)
Since appearing on the 2001 Beatles covers-only soundtrack I Am Sam, the Pearl Jam vocalist's earnest, stripped-down cover has become so beloved that it's still one of his most played tracks during his solo concerts.
"I Need You" (1965)
Tom Petty & the Heartbreakers (2003)
Harrison's chiming 12-string track simply yearns to be covered by his former Traveling Wilburys bandmate. On 2003's Concert for George, Petty finally got to interpret it, and he and his Rickenbacker gently wept through this stunning tribute.
"Another Girl" (1965)
The George Martin Orchestra (1965)
When Martin wasn't producing the Beatles, he was covering them. Throughout his half-dozen albums dedicated to the Fab Four, this rendition remains the most imaginative, incorporating a wandering harmonica into his big band sound.
"You're Going to Lose That Girl" (1965)
Five Man Electrical Band (1969)
A year before they would breakthrough in the US with "Signs," the Ottawa quintet honed their stomping '70s sound with their self-titled debut, turning this raw, Lennon-led track into a remorseful and equally gritty ballad.
"It's Only Love" (1965)
Bryan Ferry (1976)
After the breakup of Roxy Music, Ferry shaped what would become the new romantic genre. This cover pulls from David Bowie's cabaret stylings, adding a sophisticated arrangement, late-night sax and delighted backup singers.
"You Like Me Too Much" (1965)
Randy Bachman (2018)
There's a surprising amount of Harrison tribute LPs on the market, possibly surpassing those celebrating McCartney. On this 2018 release, Bachman goes widescreen, delivering a full-band, glossy five-minute cover of this slight and delicate song.
"Tell Me What You See" (1965)
Teenage Fanclub (2001)
The birth of power pop was a response to '70s prog and hard rock, and a return to the British Invasion sound. Teenage Fanclub nail this movement with their spot-on cover of this hook-laden track.
"I've Just Seen a Face" (1965)
Holly Cole (1997)
The Halifax singer stands as one of Canada's great interpreters, covering showtunes, Disney classics and Tom Waits. Released as a single, Cole gives this one a wonderful, zeitgeist-defining trip-hop makeover.
"Yesterday" (1965)
Marvin Gaye (1970)
According to Guinness, "Yesterday" is the most covered song in recorded music, with over 2,200 renditions. But despite the stiff competition, nobody matches Marvin Gaye's deep awareness of the regret and vulnerability behind this classic.
"Day Tripper" (1965)
Otis Redding (1966)
Redding reverently said that Aretha Franklin "stole" "Respect" from him. But on his iconic fifth LP, he possibly does the same to the Beatles, delivering a stark version that has become just as timeless.
"We Can Work It Out" (1965)
Stevie Wonder (1970)
This Top 20 Billboard hit for Wonder isn't just a top-tier Beatles cover — this groovy, joyful, pulsating clavinet banger stands as one of his best singles ever. High praise, given Wonder's iconic catalogue.
"Drive My Car" (1965)
The Donnas (2005)
The wonderful 2005 Rubber Soul tribute LP This Bird Has Flown kicks off with energy. The California garage rockers never get too serious here, smirking through this cover while entirely grasping McCartney's fun, tossed-off, tongue-in-cheek vibe.
"Norwegian Wood (This Bird Has Flown)" (1965)
Cornershop (1997)
This Lennon track has been a wildly popular cover subject. But Cornershop's version – which finds Tjinder Singh bridging his British background and Indian heritage by singing the track entirely in Punjabi – may be the most profound.
"You Won't See Me" (1965)
Anne Murray (1974)
Believe it or not, Anne Murray's cover is a straight-up banger. Finding a soulful groove over distorted bass and hammered piano, the Canadian soft rocker took this single to RPM's Top 5 and Billboard's Top 10.
"Nowhere Man" (1965)
Paul Westerberg (2001)
Although one of their best compositions, "Nowhere Man" always seemed too extroverted for its subject matter. The former Replacements frontman strips it right down to acoustic guitar and ambient violin, capturing the song's empathy.
"Think for Yourself" (1965)
Pete Shelley (2012)
This Harrison track is one of the noisiest of their early songs, thanks to McCartney's fuzz bass. Here, the Buzzcocks leader goes even noisier, delivering nasty pub rock vocals over a wall of distortion.
"The Word" (1965)
Bettye LaVette (2010)
From its inception, this Lennon-led track was just aching for a gospel makeover. Although not limited to one genre, LaVette nonetheless gives this track a soulful reinterpretation, stretching it out to four celestial minutes.
"Michelle" (1965)
The Free Design (1967)
Since a Stereolab cover of this bilingual fan favourite sadly doesn't exist, this Free Design reinterpretation fills that void nicely. The forgotten-but-terrific NYC sunshine pop group delivers a sparkling Summer of Love reconstruction.
"What Goes On" (1965)
Sufjan Stevens (2005)
Rubber Soul is a perfect album, save its mid-point country jaunt. But Sufjan Stevens, no stranger to impossible tasks, completely disassembles this Starr-led track and rebuilds it as a world-beating, six-minute indie prog freakout.
"Girl" (1965)
Rhett Miller (2005)
This Rubber Soul track is so effortless, it's a mystery what makes it so damn appealing. But the Old 97s leader makes sense of it, mixing acoustic simplicity with swinging rhythms and a vibrant delivery.
"I'm Looking Through You" (1965)
The Posies (2004)
You can draw a line from Ringo's iconic organ stings on this track directly to Elvis Costello and through to his disciples. The Posies' hip-shaking third-gen reimagining provides all the proof you need.
"In My Life" (1965)
Johnny Cash (2002)
Forget "Hurt" — Cash's rusted interpretation of "In My Life" stands as his greatest cover. The melancholic, wistful song becomes one of gratitude and acceptance of a life lived. Just try not to weep.
"Wait" (1965)
Ben Kweller and Albert Hammond Jr. (2005)
Ben Kweller's collaboration with the Strokes' guitarist is a complete snapshot of mid-'00s indie rock. But Hammond's chic playing complements Kweller's post-Pavement drawl perfectly, making this track a keeper.
"If I Needed Someone" (1965)
The Hollies (1965)
Swiftly recorded and released as a single the exact same day that the Beatles released their original, the Hollies' soft beat makeover became the first Harrison-written track to hit the Top 30 in the UK.
"Run for Your Life" (1965)
Cowboy Junkies (2005)
Rarely covered since the '60s due to a reevaluation of the song's troubling themes, the Cowboy Junkies' eerie version changes the gender of the abuser and victim to shine a light on the song's misogyny.
Click "Next" to go to 1966."Paperback Writer" (1966)
Kris Kristofferson (1995)
Until the 1990s, country covers of Beatles songs were a rarity. The 1995 compilation Come Together proved how influential they were to the genre, as Kris Kristofferson offers a stark, no-nonsense cover of this dandy track.
"Rain" (1966)
Bongwater (1988)
This B-side was arguably the Beatles first foray into avant-garde music, featuring slowed-down tapes, droning instruments and backmasking. It makes sense that experimentalists Bongwater would transform it even further, making it odder and more alien.
"Taxman" (1966)
Soulive (2010)
With all respect to Harrison, "Taxman" is all about McCartney's crunchy, rubbery basslines. This is why, despite other high-profile covers, Soulive's funky bass and organ show proper reverence to the original.
"Eleanor Rigby" (1966)
Aretha Franklin (1969)
In one of many strokes of genius, Franklin sings this classic in the first person, stating "I'm Eleanor Rigby." Her impassioned vocals give the single more gravitas, removing it from McCartney's stable of character songs.
"I'm Only Sleeping" (1966)
Stereophonics (feat. Noel Gallagher) (2001)
Stereophonics were so massive in the UK in the early '00s that they could land one of the Gallagher brothers to back them up, giving this fantastically creaky acoustic cover some Britpop legitimacy.
"Love You To" (1966)
Yim Yames (2009)
On his Harrison tribute, My Morning Jacket leader Jim James (billed as Yim Yames) delivers a stripped-down, moody, acoustic cover, complete with aching echoed vocals and a banjo that hauntingly replicates the song's original sitar.
"Here, There and Everywhere" (1966)
George Martin (feat. Céline Dion) (1998)
McCartney wrote this track in response to the Beach Boys' "God Only Knows." Out of the dozens of high-profile covers, Céline Dion captures the pomposity Paul set out to capture with this sweeping love ballad.
"Yellow Submarine" (1966)
Pinky and Perky (1968)
"Yellow Submarine" is a kids' classic. That's why the essential cover would come from two marionette pigs. Part of a popular BBC show, Pinky and Perky's version one-ups the Chipmunks in its novelty and flair.
"She Said She Said" (1966)
The Black Keys (2002)
This Revolver track has displayed its influence across multiple genres and eras, and has been covered by everyone from Lone Star to Ween. The Black Keys demonstrate how essential its driving rhythms were to the 2000s garage rock revival.
"Good Day Sunshine" (1966)
Judy Collins (2007)
Some have called this vaudevillian McCartney track the only low point on Revolver. It took master interpreter Judy Collins to remove the gaudy edifice from the song for a gentle, controlled, naked-down reimagining.
"And Your Bird Can Sing" (1966)
Matthew Sweet and Susanna Hoffs (2006)
On their first of three covers LPs, Sweet and Hoffs tackle this power pop tentpole, combining dual guitar leads (from Television's Richard Lloyd and Voidoids' Ivan Julian) with Hoffs' paisley underground delivery.
"For No One" (1966)
Emmylou Harris (1975)
One of the finest Beatles covers out there, Emmylou Harris sighs her heart out over a pillowy arrangement, purifying the beauty behind yet another McCartney yearning ballad. Who needs that French horn solo anyways?
"Doctor Robert" (1966)
Luke Temple (2006)
One needs to search far and wide to find a great reinterpretation of this straightforward Lennon-led rocker. Here We Go Magic leader Luke Temple messes with the arrangement, delivering a perfectly sparse and weird reimagining.
"I Want to Tell You" (1966)
Melvins (2016)
Thanks to Harrison's riffing on this track, "I Want to Tell You" has been popular cover fodder amongst metalheads. Here, grunge pioneers Melvins grind through their version, giving it an alluring distorted bass sound.
"Got to Get You into My Life" (1966)
Earth, Wind and Fire (1978)
If the horrific Bee Gees vehicle Sgt. Pepper's Lonely Hearts Club Band gave us anything, it's this killer cover. Finding a groove that even the glitzy McCartney couldn't reach, it hit the Top 20 in Canada.
"Tomorrow Never Knows" (1966)
801 (1976)
Revolver's closing number is a benchmark for experimental rock. So it makes sense that a Brian Eno-led supergroup would tackle this, expertly deconstructing it, retitling it "T.N.K." and rebranding it as a six-minute glam/prog journey.
Click "Next" to go to 1967."Strawberry Fields Forever" (1967)
Candy Flip (1990)
Madchester became an important part of rave culture for its blending of electronic music and psychedelia. This short-lived group created a baggy revolution for the Second Summer of Love, landing at No. 3 in the UK.
"Penny Lane" (1967)
The Canadian Brass (1998)
"Penny Lane" was too "Sgt. Pepper" for Sgt. Pepper's. This piccolo, oboe and flugelhorn march is given an instrumental love letter by this Toronto quintet. To Canadian Brass, this is their "Yesterday."
"Sgt. Pepper's Lonely Hearts Club Band" (1967)
Jimi Hendrix (1967)
Adorned in legend before its official release in 2002, Hendrix covered this anthem in concert only three days after the Beatles released it on LP, giving the track a deep groove and fluid guitar solo.
"With a Little Help from My Friends" (1967)
Joe Cocker (1969)
The Beatles weren't at Woodstock, but this song was. Perhaps the only Beatles cover that is more iconic than its source material, Joe Cocker has become synonymous with this song thanks to his outrageously fiery performance.
"Lucy in the Sky with Diamonds" (1967)
William Shatner (1968)
Ridiculed upon release, The Transformed Man has been reassessed as one of the great oddball classics. This is due to Shatner's melodramatic reading of this beloved Beatles track over sci-fi effects and Muzak backup vocals.
"Getting Better" (1967)
The Wedding Present (1997)
On the rerelease of their 1987 debut, the Wedding Present included a punchy version of this neglected Sgt. Pepper's track. Anchored by stark sing-song vocals, their rendition predates Art Brut and Dry Cleaning by decades.
"Fixing a Hole" (1967)
World Party (2012)
Released on an odds and sods compilation, World Party's Karl Wallinger replaces the song's iconic harpsichord with confident trudging keyboards and refined hushed vocals that defined turn-of-the-'90s modern rock.
"She's Leaving Home" (1967)
Billy Bragg with Cara Tivey (1988)
Although only two Beatles covers hit No. 1 in the US, there's a half-dozen that have topped the UK charts. The finest may be the gruff piano ballad from Bragg and journeywoman Cara Tivey.
"Being for the Benefit of Mr. Kite!" (1967)
Frank Sidebottom (1988)
On one of the oddest and most intricate Beatles songs, elaborate musical mascot Frank Sidebottom incorporated lyrics from other Beatles tracks and included Sgt. Pepper's "infinite groove" while making a wonderful mockery of it all.
"Within You Without You" (1967)
Sonic Youth (1988)
Harrison was the most investigational member of the Beatles. This is why noise artists were drawn to his songs, particularly his ragas, which Sonic Youth replicated utilizing their own uniquely tuned drones.
"When I'm Sixty-Four" (1967)
Barry Gibb (2014)
Pre-disco Bee Gees were majorly indebted to the sound of the Beatles. Although they've covered the Fab Four multiple times, Barry Gibb's cover lovingly simulates the original almost flawlessly — except that Barry was 68 when he recorded it.
"Lovely Rita" (1967)
The Flaming Lips (feat. Tegan and Sara and Stardeath and White Dwarfs) (2014)
The Lips recruited musicians to cover the Beatles' most celebrated album. The results were a mix of idolatry and idolcide, proven by this superb melding of the Lips' dark psychedelia and Tegan and Sara's pristine pop.
"Good Morning Good Morning" (1967)
Easy Star All-Stars (feat. Steel Pulse) (2009)
Although Easy Star All-Stars aren't much more than a novel cover group, they managed to assemble a crew of reggae icons for this Beatles LP. Here, Steel Pulse keep the floaty and sun-drenched theme intact.
"Sgt. Pepper's Lonely Hearts Club Band (Reprise)" (1967)
The Waterboys (1987)
Sgt. Pepper's penultimate track on is a lighthearted truncated addendum. Recorded live in Dublin in 1987, these Irish folkies stretch this version out to a blissful five minutes, jamming out on organ and saxophone.
"A Day in the Life" (1967)
The Fall (1988)
Normally held with high regard, it's refreshing to see Mark E. Smith cover this song with such imperfection. Aided by a lovely arrangement, Smith growls in and out of tune, making this classic perfectly human.
"All You Need is Love" (1967)
Yellow Magic Orchestra (1980)
Part of the first live global broadcast, Lennon's sanguine single shows how far their influence reached. During their 1980 tour, these Japanese electronic pioneers melded it with "The Star-Spangled Banner" in tribute to Western influences.
"Baby, You're a Rich Man" (1967)
Wooden Wand (2012)
Under the musical accoutrements and experimentations, this B-side is surprisingly elegant at its core. That may be why freak folkster James Jackson Toth strips it right down to an ambient slow-builder, revealing its hidden beauty.
"Hello, Goodbye" (1967)
The Cure (feat. James McCartney) (2014)
The brilliance of the Cure lies in their melding of gloom and cheerfulness. That's why the Beatles' most jovial track seems tailor-made for them, bringing in McCartney's son just for extra positivity points.
"I Am the Walrus" (1967)
Oasis (1994)
No list would be complete without an appearance from the greatest unintentional Beatles cover act. This live cut, recorded in Glasgow in 1994, absolutely nails Lennon's driving delivery while injecting an undying, almost punk confidence.
"Magical Mystery Tour" (1967)
Cheap Trick (1991)
The Ohio rock group have covered over a dozen Beatles tracks live. On their only one recorded in the studio, Cheap Trick deliver a punchy and polished version for the late-'80s hairspray nation.
"Your Mother Should Know" (1967)
R. Stevie Moore (1975)
Of R. Stevie Moore's hundreds of cassettes released, his 1975 instrumental Beatles covers LP is simultaneously his least essential and a must-hear. Wailing through a tinny, choppy version of this track gives insight into Moore's fractured appeal.
"The Fool on the Hill" (1967)
Bruce Cockburn (2013)
"The Fool on the Hill" stands as McCartney's most perceptive song. It makes sense that political raconteur Bruce Cockburn would tackle it, giving it a spiritual aura thanks to its gamelan drone and peaceful delivery.
"Flying" (1967)
The Residents (1988)
The first instrumental released by the Beatles is structurally strange enough for the Residents to lampoon. Here, the experimentalists play with timbre and rhythm, releasing a wonderfully warped, disturbing and demented deconstruction.
"Blue Jay Way" (1967)
Colin Newman (1982)
This underrated track is a showcase for Harrison's sound experiments, integrating Hammond, Leslie and Tascam drones. In that spirit, Newman uses this song to demonstrate what he could achieve without his Wire bandmates, crafting a studio masterwork.
Click "Next" to go to 1968."Lady Madonna" (1968)
Fats Domino (1968)
Domino's rendition of this back-to-basics single is an example of a full-circle reclamation of a sound. McCartney acknowledged that Fats had inspired the track, so the 40-year-old included his shiny, charming, boogie-woogie version on his comeback LP, Fats Is Back.
"The Inner Light" (1968)
Jeff Lynne, Dhani Harrison and Anoushka Shankar (2003)
Concert for George was more than just a posthumous tribute — it was a gathering of George's loved ones. Jeff Lynne, joined by Harrison's son and Ravi Shankar's daughter, delivers an affectionate cover of this raga rock B-side.
"Hey Jude" (1968)
Elvis Presley (1972)
Originally a skeptic, it took Elvis until '69 to cover the Beatles. The most fitting of his four reinterpretations is his maudlin version of "Hey Jude," a gorgeous song as bedazzled as the King himself.
"Revolution" (1968)
Grandaddy (2001)
This song would define Lennon's entire solo career: political, raw, tortured and honest. Grandaddy's tossed-off, monochromatic cover keeps things tempered and cool, presenting a wonderfully fascinating counterpoint to this normally bombastic anthem.
"Back in the U.S.S.R." (1968)
Dead Kennedys (1979)
Written to undermine Chuck Berry's jingoistic "Back in the U.S.A.," McCartney took flak for this song. Recorded as the Cold War was heating up, Dead Kennedys' lightning-quick cover adds an extra layer of subversion.
"Dear Prudence" (1968)
Siouxsie and the Banshees (1983)
Revealing the original's mopey undertones while adding a slight dance beat, Siouxsie's cover became a benchmark of '80s goth, landing at No. 3 and remaining the band's biggest hit in the UK.
"Glass Onion" (1968)
Phish (1994)
On this live cover (one of hundreds they've performed), Phish lighten the mood on Lennon's angry "fuck you" song, adding a jaunty rhythm and even laughing their way through part of it.
"Ob-La-Di, Ob-La-Da" (1968)
Alan Thicke (1970)
After getting his start on the CBC, Thicke would release a largely forgotten musical comedy album. He mugs and whoops it up through this cover, strangely not sounding too far removed from McCartney's jocular original.
"Wild Honey Pie" (1968)
Pixies (1988)
No one does filler songs as captivatingly as the Beatles. On their 1988 BBC session, Pixies transform this short interstitial into a two-minute freakout, just as menacing and furious as tracks like "Tame" and "Debaser."
"The Continuing Story of Bungalow Bill" (1968)
Dawn Kinnard and Ron Sexsmith with the Suppliers (2008)
Teaming up with Ron Sexsmith for a duet, '00s singer-songwriter Dawn Kinnard uses her vibrating, creaky, fractured singing voice to turn this sprightly Lennon story song into a creepy, unhinged, pulsating spine-tingler.
"While My Guitar Gently Weeps" (1968)
Damon & Naomi (2005)
While many musicians use their cover of this song as a vehicle to shred some guitar, former Galaxy 500 members Damon & Naomi instead choose to illuminate Harrison's underrated gentle phrasing and stunning lyrics.
"Happiness Is a Warm Gun" (1968)
The Breeders (1990)
In the indie world, this is the holy grail of Beatles covers. The Breeders' modified reinterpretation expertly plays with dynamics and mood more effectively than anything on Pod, an album known for its healthy dynamics.
"Martha My Dear" (1968)
Vashti Bunyan and Max Richter (2008)
Perhaps the only thing sweeter than a love song to a dog is the story of redemption. After 35 years away from music, Bunyan followed up her 2005 sophomore LP with this wistful, gossamer cover.
"I'm So Tired" (1968)
Alex Chilton (1981)
The former Big Star leader's first two solo albums were trashed for being deliberately sloppy and lacklustre. But his cover of Lennon's ode to insomnia completely works based on Chilton's wandering and blurred performance.
"Blackbird" (1968)
Sarah McLachlan (2001)
This campfire song has been covered by dozens of high-profile artists, but pairing Sarah McLachlan's history of cross-species altruism with her quiet, yearning delivery gives an equally important meaning to this progressive anthem.
"Piggies" (1968)
Pumajaw (2008)
This track (among other White Album tracks) was absorbed by Charles Manson as "personal messages." That's why Loop side-project Pumajaw's silly and quaint piss-take sounds so essential, deleting its association with a madman.
"Rocky Raccoon" (1968)
Richie Havens (1972)
Thanks to his appearance in the Woodstock documentary, Richie Havens gained a reputation as a fiery live performer. On his concert LP, he bashes away at his acoustic, giving this playful song a level of gravitas.
"Don't Pass Me By" (1968)
Field Music (2008)
The first Ringo composition on an album, this track has been dismissed due to its rustic country arrangement. But Field Music rearrange it into an indie prog anthem, properly revealing its lovely lyrics and melodies.
"Why Don't We Do It in the Road?" (1968)
Today Is the Day (2000)
Essentially a McCartney solo outing, this two-minute ditty is perfect fodder for a grindcore makeover. Noise rock musician Steve Austin flirts with the aforementioned genre, delivering a relentless and punishing reimagining.
"I Will" (1968)
Diana Ross (2006)
A major influence on the early sound of the Beatles, Diana Ross returns the adulation by giving this track her iconic theatrical spin, standing as a rare highlight on her maligned 2006 LP I Love You.
"Julia" (1968)
Sean Ono Lennon (2001)
Rather than dedicating this performance to the song's original muse (his grandmother), Sean pays homage to his own mother, who endured an equally devastating loss.
"Birthday" (1968)
Paul Weller (2012)
Working with Noel Gallagher and Graham Coxon, the former Jam vocalist turns this arena jumbotron classic into a boogie-woogie, pub rock workout, rumbling though McCartney's self-aware, cheesy lyrics.
"Yer Blues" (1968)
The Jeff Healey Band (1995)
If Paul grew up on a love of vaudeville, George on skiffle and Ringo on country, John's first love was blues. Here, Healey demonstrates the pain, passion and swagger needed to complement that lineage.
"Mother Nature's Son" (1968)
Ramsey Lewis (1968)
Ramsey Lewis (alongside bassist Cleveland Eaton and Earth, Wind & Fire's Maurice White on drums), doesn't just cover the Beatles in his style, he also incorporates the influence and experimentation of the psychedelic '60s.
"Everybody's Got Something to Hide Except Me and My Monkey" (1968)
The Feelies (1980)
One of the most inventive acts of the post-punk era, the New Jersey quartet deliver a jittery, jagged and polyrhythmic cover of this already weird and paranoid Lennon-led track.
"Sexy Sadie" (1968)
Kush Mody (feat. Anderson .Paak) (2014)
According to John, this was a criticism of the Maharishi's unwanted advances on Mia Farrow. Score composer Kush Mody recruits Anderson .Paak, adding a minimal arrangement and rapped bridge to repurpose it as an anti-harassment anthem.
"Helter Skelter" (1968)
Mötley Crüe (1983)
Mötley Crüe give a rundown of what makes this such a favourite amongst metal and hard rock artists: mimicking Paul's howl, making power chords more powerful, and welcoming the demons Charles Manson claims it releases.
"Long, Long, Long" (1968)
Tom Hooper (2009)
This tempered and ethereal arrangement appeals to indie rock artists like Elliott Smith and Jim James. But Grapes of Wrath's Tom Hooper captures the song's devotion, sighing through the verses and weeping through the chorus.
"Honey Pie" (1968)
Barbra Streisand (1969)
After recoding several LPs based on standards and show tunes, Babs's foray into pop music included one of McCartney's ragtime ditties. Here, she injects the right amount of humour and pizazz to make it work.
"Savoy Truffle" (1968)
They Might Be Giants (2003)
Taking some lyrics from a box of chocolates, this is a rare look into the humour of the Quiet One. Included on a Harrison tribute, TMBG brilliantly go rogue, delivering this song straight-laced and deadpan.
"Cry Baby Cry" (1968)
Throwing Muses (1991)
After releasing an original called "Cry Baby Cry" in 1987, the Boston band took on the Beatles' track of the same name, turning this criticism of commercialization into a ringing, yearning love song.
"Revolution 9" (1968)
Alarm Will Sound (2016)
Once deemed uncoverable, the advent of digital samplers has allowed experimental chamber ensemble Alarm Will Sound to not only record it but take it out on tour, bringing the audience on a strange journey through the noise.
"Good Night" (1968)
The Carpenters (1969)
Written by Lennon for his son, "Good Night" is so tender it would sound cynical in the wrong hands. But the wholesomeness of Karen Carpenter does it justice, as she affectionately coos over a vintage-sounding orchestra.
Click "Next" to go to 1969."Only a Northern Song" (1969)
Gravenhurst (2012)
One of the last recordings before his untimely death, Gravenhurst's rendition of Harrison's psychedelic organ dirge is one of his finest — a perfect showcase for his glazed shoegaze sound, layering rhythmic electronics under his whisper.
"All Together Now" (1969)
Jim White (2012)
Although the lyrics seem to celebrate the joys of polyamory, "All Together Now" is essentially a children's song. Singer-songwriter Jim White reconnects it with its adultness, delivering a grimy, dark and sexy cover.
"Hey Bulldog" (1969)
Fanny (1972)
Recorded at Apple Studio with their engineer Geoff Emerick, Fanny's peppy, affectionate tribute became one of the first covers the Beatles would support, even signing off on the band's decision to change some lyrics.
"It's All Too Much" (1969)
The House of Love (1992)
The '60s nostalgia that swept American '80s modern rock didn't hit the UK until decade's end. On this B-side, the underrated quartet connects Harrison's Summer of Love with the paisley UK revival.
"Get Back" (1969)
Billy Preston (1978)
Anyone who has watched Peter Jackson's eight-hour documentary knows that "Get Back" belongs to Billy Preston. Proof lies in his terrific cover version, where Preston recreates the original arrangement and further ignites the already fiery song.
"Don't Let Me Down" (1969)
Ben E. King (1970)
Before Lennon covered "Stand by Me," his musical hero paid him a compliment. Here, King absolutely nails John's anguished howl and desperate pleas, making this a standout track on his comeback LP.
"The Ballad of John and Yoko" (1969)
Widespread Panic (2012)
Post-Rubber Soul Beatles would become popular cover material for jam bands, as their spacious but complex arrangements led to great live performances. Widespread Panic's reinterpretation is exactly that, adding extended piano and classical guitar tradeoffs.
"Old Brown Shoe" (1969)
Conan O'Brien (2014)
George Fest was a star-studded tribute to Harrison, featuring a unique lineup that included Black Rebel Motorcycle Club and "Weird Al" Yankovic. But the greatest revelation was Conan's electrifying and high-energy cover of this B-side.
"Come Together" (1969)
Aerosmith (1978)
No matter your opinion on Aerosmith, there's little disagreement on their version of "Come Together," a song practically written for Steven Tyler to slink and shimmy across. The Toxic Twins would never again sound so funky.
"Something" (1969)
Norah Jones (2016)
No musician was more influential to Harrison's evolution as an artist than Norah Jones's father, Ravi Shankar. That's why this charmingly soulful cover of his most expressive composition feels so organic, suitable and poignant.
"Maxwell's Silver Hammer" (1969)
The Bells (1971)
Montreal quintet the Bells were a soft rock, AM gold presence in the '60s. Their cover of one of the Beatles' weirdest, most intricate and mysterious tracks is such a pleasure to hear.
"Oh! Darling" (1969)
George Benson (1970)
Benson's jazzy cover of Abbey Road finds him lumping songs into medleys. But his big band arrangement of this track finds him serenading through peaks and valleys, making it clear why it required standalone billing.
"Octopus's Garden" (1969)
Raffi (1985)
"Yellow Submarine" became the definitive Ringo song. That's why, three years later, he took it on himself to recapture that magic. Raffi's quirky and loveable cover makes it clear: Ringo knew how to reach kids.
"I Want You (She's So Heavy)" (1969)
Eddie Hazel (1977)
The last song the Beatles recorded uncovers new territories, namely John's Latin blues riffs and Moog. This falls directly into the wheelhouse of Funkadelic guitarist Eddie Hazel, who transforms it into a scorching, nine-minute guitar solo.
"Here Comes the Sun" (1969)
Nina Simone (1971)
This track is one of the most-covered Beatles songs, perhaps because of how Harrison captures the optimism of the lyrics. Here, Simone comes off crusty-eyed, aching for positivity to arise from the tumultuous '60s.
"Because" (1969)
Elliott Smith (1999)
Elliott Smith's love of the Beatles shaped his solo career. It's apparent in his cover of the stark, radiating, Lennon-led track. Smith's version becomes even more haunted, standing as one of his most crystalline recordings.
"You Never Give Me Your Money" (1969)
Sarah Vaughan (1981)
The flip side of Abbey Road is wildly popular across R&B and rock. But this opening song finds McCartney abandoning British big band for American jazz. Sarah Vaughan makes this her own, trading skepticism for emotion and humour.
"Sun King" (1969)
Gomez (2009)
For many people, "Sun King" is all about those stunning three-part harmonies. But on Gomez's hazy cover, the quartet instead focus on the song's atmosphere, melding acoustic guitar, hand drums, field recordings and whirring synth.
"Mean Mr. Mustard" (1969)
Frankie Howerd (1978)
Judging by the songs he wrote in India, John was in a dark place. That's what makes this British comedic actor's droll synth and vocoder version one of the greatest left-field Beatles interpretations ever.
"Polythene Pam" (1969)
Roy Wood (1976)
All This and World War II is a bizarre piece of work, juxtaposing Beatles covers and WWII footage. What's stranger is Roy Wood's contribution. The Move/ELO multi-instrumentalist delivers a glam rocking show tune exorcism with duelling guitars and synthesizers.
"She Came in Through the Bathroom Window" (1969)
Ike & Tina Turner (1972)
What makes Abbey Road's medley so epic is the dynamic shifts between songs, and this McCartney-led track is a barnburner between two babbling brooks. Tina Turner recognizes this, wailing overtop her band's stomping rhythms.
"Golden Slumbers" (1969)
Ben Folds (2001)
Did the Beatles stick this on side two because they had no faith in it? To show its worth, Folds doesn't change a single thing, he just presents it as the sweepingly gorgeous song it is.
"Carry That Weight" (1969)
Inner Circle (1980)
There's a brilliance in the fact that Inner Circle recognized that this 90-second interstitial would make for such a festive reggae song. Here, they push it to four minutes, chanting and panting above bubbly rhythms.
"The End" (1969)
London Symphony Orchestra (1976)
"The love you take is equal to the love you make" is possibly the most famous Beatles lyric. On the All This and World War II soundtrack, this line is given the imperial treatment it deserves.
"Her Majesty" (1969)
The Low Anthem (2009)
This 30-second song is considered the first "hidden track." It's become such an important part of Abbey Road that the Low Anthem recorded a lovely plucked and whispered version to appear on Mojo's tribute LP.
Click "Next" to go to 1970."Let It Be" (1970)
Bill Withers (1971)
Although he's often considered an R&B artist, Withers falls in more with the '70s singer-songwriter genre. His brief cover of this classic proves just that, as he goes full troubadour over a rhythmic acoustic guitar.
"You Know My Name (Look Up the Number)" (1970)
Bossacucanova (2009)
One of the least-covered Beatles songs may have one of the coolest reinterpretations. This Brazilian electronic band turn the Beatles' final B-side into a danceable, psychedelic, bossa nova celebration, nearly eclipsing the original.
"Two of Us" (1970)
Aimee Mann and Michael Penn (2001)
It's been said that no one can master a harmony like siblings. But Mann and Penn's incredibly moving cover of this Everly Brothers-inspired track proves that romantic partners can lock in just the same.
"Dig a Pony" (1970)
Lake Street Dive (2021)
If St. Vincent ever officially releases her scorching live cover of the Lennon-led song, it would probably take the crown. Until then, Lake Street Dive's suave, soulful and Southern rock cover reigns supreme.
"Across the Universe" (1970)
David Bowie (1975)
Consider this a three-way tie between Fiona Apple's crystalline version, Rufus Wainwright's lovelorn interpretation and David Bowie's husky soul analysis. Bowie slightly edges out the Gen Xers for being the first to master this classic.
"I Me Mine" (1970)
Britt Daniel (2016)
Lennon's apparent ridicule of this track caused Harrison to temporarily leave the Beatles. On the George Fest concert album, the Spoon leader provides a level of reverence and adoration, turning it into a punchy celebration.
"Dig It" (1970)
Laibach (1988)
The only way to hear a cover of this 50-second ramble would be on a Let It Be tribute LP. Laibach do just that, presenting a steely, angular take on the Beatles' most earthy album.
"I've Got a Feeling" (1970)
The Besnard Lakes (2010)
The best covers give a song an element no one knew it needed. The Montreal sextet smooth over the punchiness for a warm shoegaze glow, allowing the doleful lyrics to hit a little harder.
"One After 909" (1970)
Willie Nelson (1995)
One of the first Lennon-McCartney compositions (written in the late '50s), "One After 909" sounds like a Willie Nelson song. The country icon recognizes this, barely changing anything about his cover and sounding completely at home.
"The Long and Winding Road" (1970)
Yusuf Islam (2014)
From Cat Stevens to Yusuf Islam, this iconic singer-songwriter has long been fascinated with spirituality. On his wonderfully rasping and vulnerable cover, Yusuf turns McCartney's crooning love song into memoriam on a life lived.
"For You Blue" (1970)
Dhani Harrison (2013)
Covers are beloved because they draw a straight emotional line between the artist and original composer. That's why it's so wonderful to hear George's only son connect with his father in such a profound way.
