Frivolous and fetishistic, British director Peter Strickland's third full-length feature, The Duke of Burgundy, is a feast for the senses....

In the myopic world according to Hyena, Gerard Johnson's second feature-length film, women are mostly just passive whores waiting to be resc...

Frederick Wiseman's particular approach to the documentary form is an acquired taste. Unlike most of his peers, who organize their work like...

Chris Evans is not in an enviable position. After years spent playing hunky heartthrobs in miserable rom-coms (the Anna Faris-assisted What'...

It appears as if Asa Butterfield didn't experience any real growing pains between his star-studded arrival as the titular hero in Martin Sco...

It took over 50 years for long-time playwright Israel Horovitz to direct his first feature-length film. Sadly, My Old Lady — the cinem...

This year's festival has seen a trifecta of masterworks from Quebec directors in Xavier Dolan's Mommy, Stéphane Lafleur's Tu dors Nicole and...

A young Brian Wilson sits in a room muttering something about music and chords. At first, it looks as if he might be talking to the camera o...

Richard Carver makes a good living off of destroying other people's lives. As a realtor specializing in foreclosures during the housing cras...

Jason Reitman's Men, Women & Children is a return to the director's ensemble-based dramedies, after detours with the more narrowly-focused Y...

It's hard to feel entirely comfortable laughing at the many jokes in Shira Piven's Welcome To Me. It's clear that Kristen Wiig is on top of...