reviews

Bleachers' Self-Titled Album Finds Jack Antonoff on Autopilot

PUBLISHED Mar 19, 2024

Over more than a decade of working his way into the heart of modern pop music, Jack Antonoff has managed to cement himself ...

‘William Shatner: You Can Call Me Bill’ Honours the Canadian Icon’s Deserved Legacy

Directed by Alexandre O. Phillipe

PUBLISHED Mar 18, 2024

Even the most casual Shatner fans will find comfort in 'William Shatner: You Can Call Me Bill,' the latest from Alexandre O. Philippe...

Tierra Whack's World Gets a Little Darker on 'World Wide Whack'

PUBLISHED Mar 18, 2024

Tierra Whack is many things, but apologetic isn’t one of them. She's an artist who flips through mediums as often as she does moods...

Kelly Moran's "Sodalis (II)" Moves Like a Deep Ocean Current

Exclaim! Staff Picks

PUBLISHED Mar 14, 2024

Kelly Moran’s original “Sodalis” — a contribution to the 2020 Field Works 'Ultrasonic' collection — was an anxious churn of wings...

The Kindertransport Deserves a More Thorough Movie Than 'One Life'

Directed by James Hawes

PUBLISHED Mar 13, 2024

The story of Sir Nicholas Winton and the Kindertransport, as it become known, has been put to celluloid a handful of times, including the...

Uranium Club Are Ambitious as Ever on 'Infants Under the Bulb'

PUBLISHED Mar 13, 2024

Uranium Club’s music can best be described as warped, or maybe wiry. Or perhaps groovy is best. Or… unsettling? It’s very difficult to pinp...

'Hey, Viktor!' Is a Satire with Heart

Directed by Cody Lightning

PUBLISHED Mar 12, 2024

More than 20 years after the release of Smoke Signals, Chris Eyre’s 1998 film that changed cinema and its representation of Indigeneity...

Cell Press Refine the Sludge on 'Cages'

PUBLISHED Mar 12, 2024

An album that prides itself on being an old school sludge-fest and manages to deliver the goods from start to finish...