reviews
Alice Glass Eviscerates Her Past with 'PREY//IV'
PUBLISHED Feb 16, 2022
Darkwave veteran Alice Glass has re-emerged with PREY//IV, her debut solo album and first release in five years. The record — a decidedly a...
Beach House's 'Once Twice Melody' Is Not Quite Enough and Just a Bit Too Much
PUBLISHED Feb 16, 2022
Beach House have managed to build a legendary catalogue of mystifying, awe-inspiring music thats strength lies both in its sameness and its...
Moonchild Place Comfort at the Core of Creation on 'Starfruit'
PUBLISHED Feb 15, 2022
Moonchild's fifth studio effort is a pleasant contradiction. On one hand, the California trio offer comforting sameness: warm, soothing cof...
Spoon Try a Little Tenderness on 'Lucifer on the Sofa'
PUBLISHED Feb 15, 2022
You could never accuse Spoon of chasing trends or flashing in the pan. The Austin rockers have evolved subtly and deliberately over the las...
'Drive My Car' Takes the Slow Lane to an Emotional Payoff
Directed by Ryûsuke Hamaguchi
PUBLISHED Feb 15, 2022
Drive My Car is a beautifully wrapped quiet work of art that hits you when you least expect it. It's a slow-burning arthouse vehicle about...
'Uncharted' Is a Rare Video Game Adaptation That's Actually Good
Directed by Ruben Fleischer
PUBLISHED Feb 15, 2022
It's taken over a decade for us to get here, but Uncharted is finally in theatres. During that time, multiple filmmakers and writers almost...
Sundance Review: 'Am I OK?' Answers Its Own Question with a Yes
Directed by Tig Notaro and Stephanie Allynne
PUBLISHED Feb 12, 2022
Tig Notaro and Stephanie Allynne's directorial feature debut begins in an ingenious way — with an opening credits montage that evokes life...
'Death on the Nile' Has Flaws in Its Case
Directed by Kenneth Branagh
PUBLISHED Feb 11, 2022
Kenneth Branagh and his iconic bushy 'stache are back. The director returns as Hercule Poirot in Death on the Nile, his second remake of an...