reviews
The Body and OAA's 'Enemy of Love' Is an Amorphous Blob of Hellish Cacophony
PUBLISHED Feb 22, 2022
Through countless jarring shifts, sludge metal duo the Body have maintained one constant: collaboration. Even on 2021's supposed return to...
Hamilton Shoegazers Basement Revolver 'Embody' Vulnerability, Resilience and Growth
PUBLISHED Feb 21, 2022
Embody, the second full-length album by Hamilton, ON, shoegazers Basement Revolver, is a pandemic baby. Forged against the constraining bac...
'LOL: Last One Laughing' Proves the Strength of Canadian Comedy
Hosted by Jay Baruchel
PUBLISHED Feb 18, 2022
Adapted from a Japanese series, LOL: Last One Laughing has seen adaptations in Australia, France, Germany, Italy, Spain, Mexico, India and...
Tennyson's 'Rot' Is Fresh
PUBLISHED Feb 18, 2022
There is a certain irony in creating your most dynamic music while suffering a hearing condition. That was the reality for Tennyson, a.k.a....
Kanye West Isn't a 'jeen-yuhs,' Because No One Is
Directed by Coodie & Chike
PUBLISHED Feb 18, 2022
About a week before jeen-yuhs made its Sundance premiere, Ye took to Instagram to demand final edit privileges from Netflix and the directo...
The New 'Texas Chainsaw Massacre' Is a Buzzkill
Directed by David Blue Garcia
PUBLISHED Feb 18, 2022
Netflix's new Texas Chainsaw Massacre sequel doesn't hold back on violence, as was to be expected. It's all guts and gory, but is disappoin...
Lavender Country's Roots Run Through Past and Present on 'Blackberry Rose'
PUBLISHED Feb 17, 2022
Country music is filled with iconography. Whether it be the archetypal wandering cowpoke on the range, rambling outlaw or the city-dwelling...
Khruangbin and Leon Bridges' Southern Charm Never Wanes on 'Texas Moon'
PUBLISHED Feb 17, 2022
Texas is arguably best known for country music, but the Lone Star State has produced major contributors to a kaleidoscope of genres. It's a...