Still a two-piece, Summoning have always managed to compose grandiose, theatrical metal on a scale well beyond their means, and Old Mornings...

The aptly titled follow-up to 2010's Unsilent Death, Abandon All Life is a reminder that sometimes the only way to get heavier is to slow th...

For better or worse, Saint Alvia's latest album makes for an exhausting listen. Crafted with endless energy and enthusiasm, Static Psalms ca...

Shai Hulud's inability to maintain a consistent line-up since their landmark debut, Hearts Once Nourished with Hope and Compassion, has been...

The sludgy slow crawl is a revelation to bands like Weekend Nachos, whose latest seven-inch would be little more than a two-minute, two-song...

A Life Once Lost's first album in five years is more of the same rhythmic groove metal fans have come to expect from the band, but that's no...

This records opens like a flaming fist to the face and doesn't slow down once it starts. The Secret have done the unthinkable on their fourt...

Before they joined up with Odd Future, Trash Talk had already built a reputation as do-as-they-may thrash punks. And that's the beauty of 11...

Between the Buried and Me didn't need to make The Parallax II: Future Sequence 73-minutes long, just like they didn't need to tease the soli...

The companion to May's Clear Moon, Ocean Roar is an album filled with minimalism that's anything but, drone that rarely does and folk that m...

At a time when pop-punk often sounds unsure of itself, Teenage Bottlerocket make no reservations about their sound. Freak Out!, their fifth...

Following 2010's First Four EPs, OFF! is the self-titled album by a group with the skill to say twice as much in half the time. It's a relea...

The title track is a fitting metaphor for not just this album, but Tenacious D's bizarre ride through their three releases. Like their caree...

While this week's release of Teenanger's Frights was pushed back from its original January release date, the band are now calling the delay...

Teenanger's vocals are snarled with such snot-nosed, angst-ridden nonchalance that comparisons to some of punk's early conspirators are inev...

Garage rock is a label without context these days. Luckily for Teenanger, it's a label they reject. "We just consider ourselves a punk band,...

It's ironic that Jesse Michaels' first full-length, post-Common Rider, would take their moniker from one of his easygoing ex-band's sweetest...

Whateverwolf is the sound of second generation post-hardcore, filled with equal doses of aggression, snark and videogame references ("Konami...

Vic Victor sounds like a psychobilly singer should; his voice carries in a low register, its vibrato splitting the line between Vincent Pric...

Lookin' Fine on Television opens with a disparity and contrast kept up for much of its 70 minutes. Part documentary, part concert DVD, this...