Articles by Stephan Boissonneault
Ingredient's Self-Titled Debut Is Dance Music for Wallflowers
PUBLISHED Nov 17, 2022
Listening to the first half of Ingredient's self-titled debut feels like walking through a zen garden. Airy, washed out vocals chew the sce...
Badge Époque Ensemble & Lammping Find New Ways to Groove on 'Clouds of Joy: Chance of Reign'
PUBLISHED Nov 15, 2022
It's amazing that Badge Époque Ensemble has only been around for four years. The progressive and mostly instrumental jazz eight piece (and...
King Gizzard & the Lizard Wizard Continue to Do It All, and Then Some, on 'Changes'
PUBLISHED Oct 28, 2022
Amputate your truth and get ready to groove a bit, 'cause King Gizzard & the Lizard Wizard is back with their 24th album — and fifth of...
Bonnie Trash on Turning Their Family's Ghost Stories into Music: "Am I Scared? Absolutely"
PUBLISHED Oct 27, 2022
Whenever Bonnie Trash — the darkened shoegaze/post-punk drone project from Guelph, ON, led by twin sisters Emmalia and Sarafina Bortolon-Ve...
Lee Paradise Throws a Party with 'Lee Paradise & Co.'
PUBLISHED Oct 27, 2022
For The Fink, his second release under his Lee Paradise moniker, Dan Lee (Hooded Fang, Phèdre), had a vision — create a soundscape for the...
Gloin's 'We Found This' Is Worth Discovering
PUBLISHED Oct 18, 2022
Not many albums have the power to transport you into a completely new frame of mind — whether sinister or joyful — within its first few sec...
Technical Kidman's Mathieu Arsenault Soundtracks Self-Discovery on Seulement's 'EX PO'
PUBLISHED Nov 10, 2021
EX PO, the debut album from Seulement (a.k.a. Mathieu Arsenault of Montreal's Technical Kidman), is an electronic collection of songs that...
'Dooms Children' Is Wade MacNeil's Raw, Psych-Toned Autobiography
PUBLISHED Oct 18, 2021
With the self-titled debut album of his new psych rock project Dooms Children, post-hardcore old salt Wade MacNeil is sonically nostalgic —...