
Riding high after overlooked classic Flamingo, Sean Nicholas Savage returned in 2013 with Other Life, an enjoyably ragtag prayerbook for the...
Riding high after overlooked classic Flamingo, Sean Nicholas Savage returned in 2013 with Other Life, an enjoyably ragtag prayerbook for the...
Ten minutes after Neutral Milk Hotel left the stage, a semblance of normality returned to conversation, but there remained a stunned quality...
When the world starts to spin faster, it helps to dig in heels. Throughout 2013 — a generation past the post-millennial tension of OK...
Jack Barnett may look shy and speak in shy sentences, but don't let that fool you: he really is shy. The singer has an uncanny ability to sa...
Jon Hopkins is reassuringly goofy. He grins wide and proud after each song. His skinny arms dangle from shoulders that could barely support...
Toward the end of Future Islands' sold-out show, there was spied a dancing couple in unwieldy winter fleeces, twirling and gliding over the...
In 2010, second record Hidden elevated These New Puritans from UK curiosities to burgeoning national treasures. Somehow timeless yet unmista...
Latest effort No Blues once again finds Los Campesinos! riding their hearts into battle, returning smarter and stronger, if a little bloodie...
For those unfamiliar, 35 Strachan is an artist-friendly warehouse tucked between makeshift bridges and railway lines down by the Toronto doc...
It's likely that close listeners of II, a home blend of blue funk and psychedelia, had already diagnosed Ruban Nielson's psychological ills....
Joined by two frowning men in sensible shirts, Jenny Hval took the Rivoli stage to modest applause. The crowd was sparse, but comfortably so...
Latecomers to the Phoenix Concert Theatre for Deerhunter's highly anticipated and very sold-out return met a bizarre spectacle. Support act...
Competing with Dirty Beaches for tonight's Toronto concertgoers, gravel-throated Archy Marshall and his band sold out the Wrongbar and put u...
"Basically," begins Sam Amidon, goofily well-postured, scattily composed, "the way the record came about was... Jimi Hendrix spoke to me fro...
Okkervil River occupy an intriguing conceptual space: part folk band, part rock band, part folk-statement on the rock band. Their best-loved...
Critical acclaim for Julia Holter's newly released third LP, Loud City Song, is reaching a crescendo. Maintaining Holter's proclivity for in...
No stranger to conceptual art, Julia Holter is bright and eccentric and strangely, irrepressibly divine. After debuting in 2011 with Tragedy...
"I just don't see the point in always trying to play it cool," sings Carmen Elle on "New House," a cut from Diana's exquisite Perpetual Surr...
This week, the release of Perpetual Surrender trumpeted the arrival of synth-pop group DIANA. The four-piece belongs to an ecosystem of Toro...
Toronto, ON's finest new synth-pop group, DIANA face the unenviable task of bleeding vitality from an increasingly anaemic genre. Blame the...