Articles by Eric Hill

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  Tindersticks

  Still Have a Voice

  PUBLISHED Mar 9, 2012

  On the eve of a four-night engagement at the London, UK's Soho Theatre, shows that would also serve as the launch point for the European le...

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  Mark Fell

  UL8

  PUBLISHED Dec 7, 2011

  Released more or less in tandem with Multistability (his effort for Raster-Noton), UL8 is named for a brand of stereo speaker Fell's older...

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  Peter Broderick

  Music for Confluence

  PUBLISHED Nov 21, 2011

  It seems almost ho-hum to comment on the efficacy of Peter Broderick's soundtrack work. His newest offering is for a documentary delving in...

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  Ursula Bogner

  Sonne = Blackbox

  PUBLISHED Nov 21, 2011

  Curated by Andrew Pekler and Jan Jelinek (who also runs the Faitiche label), this second album by Ursula Bogner is difficult to de-contextu...

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  Clem Leek

  Lifenotes

  PUBLISHED Oct 25, 2011

  Compared to Max Richter, Dustin O'Halloran and others in the current school of neo-classical composition, Clem Leek is as much a miniaturis...

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  Christina Vantzou

  No. 1

  PUBLISHED Oct 25, 2011

  When even vendors and label press make coy concessions to a new artist's overt similarities to established ones (in this case, Stars of the...

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  High Places

  Original Colors

  PUBLISHED Oct 11, 2011

  Water, or its absence, takes symbolic lead across High Places' third collection of compact and complex electro-pop songs. Whether it's in t...

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  Nils Frahm

  Felt

  PUBLISHED Oct 11, 2011

  The twofold meaning in the title of Nils Frahm's new "inside" piano masterpiece comes from the quiet elation and blues the playing evoke, a...