After spending years delving into Buffy Sainte-Marie's pan-genre discography — seriously, she's done it all, and she's done it better than m...

For 36 years, Tegan and Sara Quin have shared a face and a voice. They are two wholes but also two halves — a seemingly impossible math ridd...

"Rebel is a beautiful word, but I don't know if I really deserve that word at this point."   Her voice is a prism — reflective and colourf...

With the release of their eighth studio album, Love You to Death, Tegan and Sara have fully transformed from indie folkies with not-so-secre...

Six years ago, ANOHNI released her final Antony and the Johnsons' album, Swanlights; her new record, HOPELESSNESS — out today (May 6) on Sec...

It's only been an hour since the world found out we lost Prince when the time comes for this interview. It's a devastating blow to fans and...

ANOHNI's output under Antony and the Johnsons was staggering in its complexity and vision, the sound a kaleidoscope of stained glass, cracke...

"It's easy to get lazy. I feel like that's success's worst enemy: being lazy."   So says Brittany Howard, lead singer, songwriter and guit...

"We still like to pretend in some way that we're making art" — Natalia Yanchak says this matter-of-factly from a rest stop somewhere b...

Honeymoon, Lana Del Rey's follow-up to her 2014 album, Ultraviolence, is at times brilliant and occasionally boring, a record that moves and...

On Times Infinity Volume One, the Dears' songs vary in terms of depth and intricacy, but each is a fully realized narrative, layered with wi...

Thundering drums, strings taking flight, choruses like tidal waves; Roses is Béatrice Martin's biggest and boldest vision yet as Coeur de pi...

"All my fears and anxieties and all that crap that humans go through — I didn't face them because I was so busy putting my energy into...

"I went through things that I never talked about on my other two records."   That's all about to change. Béatrice Martin, who records as C...

"To be honest, I don't know what half this stuff does, but that's okay." Kathryn Calder laughs, sitting in front of the sprawling console in...

Despite the drama and the trauma behind them, Braids' new album, Deep in the Iris, proves that the now-trio are still a band who wear their...

Humans are great at building up walls, but we don't necessarily prize the strength it takes to tear them down. After the 2012 dust-up that r...

The opening moments of Alabama Shakes' new record are awash in the orange sunrise glow of '70s soul, the delicate pinks and reds of orchestr...

It's fitting that Kathryn Calder's third solo record is self-titled. After all, this is the album where the New Pornographers' vocalist/keyb...

"There was so much more we could do and have shown the world, but you know, we didn't know anybody was going to listen to our record."   B...