reviews
Saturday Night Live: Willem Dafoe & Katy Perry
January 29, 2022
PUBLISHED Jan 30, 2022
Saturday Night Live has had few hosts as strong, dedicated, and funny as Willem Dafoe was, Katy Perry brought some Las Vegas panache to her...
'Pam & Tommy' Brings a Fresh Perspective to the Sex Tape Scandal
Developed by Seth Rogen and Evan Goldberg
PUBLISHED Jan 28, 2022
Celebrity culture, technology and privacy took on a new meaning when Pamela Anderson and Tommy Lee's sex tape was leaked in the mid-'90s. S...
Our Lady Peace's 'Spiritual Machines II' Is a Clumsy Sequel
PUBLISHED Jan 28, 2022
Sequels are a high-risk, low-reward proposition. How often are they better than the original? How often are they even as good as the origin...
Jacques Greene's 'Fantasy' Captures the Formless Drift of Lockdown Life
PUBLISHED Jan 27, 2022
When detailing his newest EP, Fantasy, on Instagram, Montreal producer and DJ Jacques Greene explained that the inspiration behind it was a...
Ghostly Kisses Offer Haunting Pop Drama on 'Heaven, Wait'
PUBLISHED Jan 27, 2022
Up-and-coming Quebec City-based artist Margaux Sauvé (working professionally here with Louis-Étienne Santais as Ghostly Kisses) has release...
Sundance Review: 'Resurrection' Loses Its Way
Directed by Andrew Semans
PUBLISHED Jan 27, 2022
Resurrection starts a world apart from where it ends. A psychological thriller about a woman's fight with PTSD, director Andrew Semans' sop...
'The Woman in the House Across the Street from the Girl in the Window' Isn't Funny Enough to Register as Parody
Directed by Michael Lehmann
PUBLISHED Jan 26, 2022
Just as Austin Powers was to spy flicks and Scary Movie was to teen horror, Kristen Bell's The Woman in the House Across the Street from th...
Sundance Review: 'Master' Examines Historical Prejudice Through the Lens of Supernatural Horror
Directed by Mariama Diallo
PUBLISHED Jan 26, 2022
Master lives in the duality of the past and the present. In her directorial debut, Mariama Diallo examines race and gender as it was then a...