reviews
Courtney Barnett's 'Anonymous Club' Is a Intimate Glimpse into Artistic Self-Doubt
Directed by Danny Cohen
PUBLISHED Apr 28, 2022
The tour behind Courtney Barnett's 2018 album Tell Me How You Really Feel was fantastic, with noisy shows that emphasized ferocious grunge...
Kelly Lee Owens's Voice Cuts Through the Commotion on 'LP.8'
PUBLISHED Apr 28, 2022
"This is an emergency. This is a wake-up call," Kelly Lee Owens declares calmly on LP.8 over harsh industrial noise amid frantic, phantasma...
Alexisonfire Received a Hero's Welcome in Toronto
History, April 27
PUBLISHED Apr 28, 2022
Relatively little promotion didn't stop the hype for Alexisonfire's return to Toronto Wednesday evening (April 27). The band only announced...
Tomberlin's Truth Is Gospel on 'i don't know who needs to hear this…'
PUBLISHED Apr 27, 2022
While characteristically unassuming on the surface, i don't know who needs to hear this… is quietly assured in the fact that someone does n...
Girlpool Plunge into the Personal on 'Forgiveness'
PUBLISHED Apr 27, 2022
"You leave me crying in the fucking rain / I want you." These lines are flung at the listener upon entering Girlpool's self-titled EP that,...
CUFF Review: 'Freakscene' Isn't Fun, Because Dinosaur Jr. Aren't Either
Directed by Philipp Reichenheim
PUBLISHED Apr 27, 2022
Playing in a popular indie rock band seems like it would be fun, right? Think again. Dinosaur Jr. are not enjoying themselves, and they're...
Pusha T and Pharrell Shine on 'It's Almost Dry' — but It's a Shame About Ye
PUBLISHED Apr 25, 2022
The tale of Terrence Thornton a.k.a. Pusha T's rap career has two clear and distinct chapters. The first was his time as one half of Clips...
'Outer Range' Opens Up a Wyoming Wormhole of Western Weirdness
Created by Brian Watkins
PUBLISHED Apr 25, 2022
The Power of the Dog got robbed at the Oscars, but the Western renaissance continues with Outer Range — a series that embraces the tropes o...