reviews
Quinton Barnes Careens Between Sounds and Feelings on 'For the Love of Drugs'
PUBLISHED Oct 17, 2022
Quinton Barnes' self-produced third album, For the Love of Drugs, is a gauntlet of tormented internal monologues. Drawing inspiration from...
'Saturday Night Live' Roasted Trump While Megan Thee Stallion Shone
October 15, 2022
PUBLISHED Oct 16, 2022
Megan Thee Stallion proved herself to be an excellent all-round host and her musical performances were thoughtfully staged, as a season of...
Muse Looked to the Future and Grappled with the Past in Toronto
History, October 14
PUBLISHED Oct 15, 2022
Muse stepped outside their usual stadium setting Friday night in Toronto, bringing their latest dystopian semi-concept record — this summer...
Red Hot Chili Peppers' 'Return of the Dream Canteen' Is a Compelling Mess
PUBLISHED Oct 14, 2022
Red Hot Chili Peppers have taken pains to insist that Return of the Dream Canteen isn't simply the outtakes from this spring's Unlimited Lo...
'Halloween Ends' Feels Like a Completely Different Franchise
Directed by David Gordon Green
PUBLISHED Oct 14, 2022
Concluding a fan-favourite saga after 44 years and 13 movies is no easy feat, and while Halloween Ends bows out on a satisfying, emotional...
On 'Save the Baby,' Enumclaw Turn Dreams into Reality
PUBLISHED Oct 13, 2022
Self-described via their cheeky Twitter bio as the "Best Band Since Oasis," Enumclaw are boldly staking their claim as the next big thing i...
'All Quiet on the Western Front' Is an Instant Classic with a New Perspective
Directed by Edward Berger
PUBLISHED Oct 13, 2022
In 1929, Erich Maria Remarque's novel Im Westen nichts Neues was published recounting his, and his fellow German soldiers', experience in t...
Daphni's 'Cherry' Is a Sugary, Addictive Treat
PUBLISHED Oct 13, 2022
For all the more overt moves Dan Snaith has made toward the dance floor on his last two albums as Caribou, it's in his work as Daphni where...