Tetras

Pareidolia

BY Bryon HayesPublished Feb 14, 2012

Epic in both density and duration, Pareidolia evokes the psychological phenomenon with which it shares its name. Taken at face value, the four sides of this double-LP present vaguely swinging, minimalist free-improvisation. However, when one peers deeply within the spiralling vinyl grooves, familiar, multi-tiered sonic constructions take shape. The phenomenally restrained percussion of veteran drummer Jason Kahn, paired with Christian Weber's ultra-precise double bass work, provides an intricate skeleton of minimalist throb and chatter. Jeroen Visser's electronics swarm and gurgle, filling any remaining space with phantasmal sound. A subliminal groove is omnipresent, at times a quickened heartbeat, at others a slow demonic chortle. This sinister pulse binds the trio's otherworldly spirit tones to an earthly foundation. Such strange architecture arrives courtesy of a unit bent on establishing a sense of structure within structure, ad infinitum.
(Flingco Sound System)

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