Full of woozy ballads punctuated by gorgeous, adventurous electric and nylon-stringed guitar instrumentals, Skullsplitter is obsessed with the theme of time's onward march, and over its course — especially on "Spring Has Been A Long Time Coming," "Poor Time," "Summer & Time" and the title track — Chenaux launches a thorough poetic investigation of the seasons and the cyclical nature of time and space.
It's particularly significant, then, that "Have I Lost My Eyes?" and "Skullsplitter" find Chenaux reaching into his back catalogue to produce more intimate, nearly unrecognizable renditions of cuts from 2008's Sloppy Ground and 2006's Dull Lights; Chenaux even explored Rodgers and Hart standard "My Romance" before on his 2003 release with the Reveries, Blasé Kisses.
Skullsplitter dispatches the listener on a mission to crack the mysteries of time and space, and without offering much in the way of answers, its potential for repeat listens is enough of a reward. Skullsplitter is a triumph of post-modern songwriting, where decisions can be recast and repurposed to suit the needs of the present.