Trends We Could Live Without in 2017

2016 in Lists

BY Josiah HughesPublished Dec 15, 2016

The end of the year is a time for reflection, and while it's fun to rank all of the good things in order of their goodness, there's also an important opportunity for reckoning. Where did we go wrong this year? What can we do better? Will we ever stop talking about Hamilton or Stranger Things? Here are the trends we hope stay with this cursed calendar year.

To find more of Exclaim!'s year-end writing, head to our 2016 in Lists section.

8 Trends We Could Live Without in 2017:


Self-Indulgent Music Visuals



Let's get this out of the way first: Beyoncé's Lemonade was an undeniable masterpiece, pairing the performer's most personal music yet with a truly grandiose vision. Thing is, Beyoncé's an incredibly influential woman, meaning her project quickly inspired lesser versions.

As a result, we had to watch Florence Welch and Tove Lo wander around aimlessly in their respective pieces. Then there was Frank Ocean's Endless. True to its name, this seemingly endless 45-minute film forced us to watch Ocean putter around a warehouse and pretend he knew his way around a circular saw. We'll never get that time back.


Extra Gimmicky Album Rollouts



Frank Ocean wasn't the only artist dipping into self-indulgence this year. Rather than slow down on the hokey album release ideas of years past, artists appeared to get even dumber with their release plans. In record stores around North America, tiny groups of people assembled to buy new albums from Radiohead, Metallica and Wilco mere hours before anyone else (and, of course, days after the albums had leaked online). The deal was sweetened with low-stakes contests and curated in-store playlists from the artists in question. All the while, some poor record store saps had to work late night shifts just to deal with a half-dozen music nerds. 


Stranger Things



We're living in an accelerated culture, and nothing has ever gone from "pretty good" to "oversaturated" to "please stop talking about that" quite as quickly as Stranger Things. Obviously we all loved Stranger Things when we first saw it. Netflix used an algorithm to make sure we would love Stranger Things. But then we all, perhaps, loved Stranger Things a little too much.

Those kids from Stranger Things, god bless them, started to appear in music videos and commercials and late-night talk shows and demeaning awards show bits where they passed out snacks and inexplicably covered "Uptown Funk." The kids from Stranger Things — who, again, seem wonderful and kind and good — were everywhere. 

As were the people recommending Stranger Things, the Stranger Things T-shirts, the Stranger Things Halloween costumes, the Stranger Things logo parodies and the Stranger Things mashups. Then there were the people asking if we'd heard S U R V I V E, the band with the spaces between the letters that made the cool Stranger Things bleep-bloop soundtrack. And the many, many vinyl variants of the aforementioned Stranger Things bleep-bloop soundtrack — do you have the rare black vinyl edition of the Stranger Things bleep-bloop soundtrack?


Stupid Vinyl Releases



Speaking of idiotic vinyl culture, yes, there are still people who love to talk about how vinyl is making a comeback. And those people have inadvertently created a farm industry for absolutely dreadful vinyl reissues. This year saw the release of vinyl box sets from Sublime, Evanescence, the Black Eyed Peas, the Decemberists, Sting, the 1975, Dr. Who and, yes, even Hamilton: The Musical. It's almost starting to feel like the vinyl revival wasn't worth it to begin with.





Dramatic Covers of Pop Songs



Want to convey gravitas in the cheapest, least subtle way possible? Why not use a sombre cover of a pop song in your film or TV project? That technique completely and absolutely jumped the shark in 2016. 

Suicide Squad offered up a goofy, melodramatic cover of the Bee Gees' "I Started a Joke" in its trailer, while the recent Transformers: The Last Knight teaser went one step further and offered up a sad robo-goth take on the Flaming Lips' "Do You Realize??" Plus, who could forget the goofy-ass Radiohead covers distracting us from the confusing plot twists in Westworld? Maybe it's time for film and TV companies to start hiring actual composers for their projects.


Rappity Rap



It was an undeniably great year for rap music, with truly excellent albums arriving from the likes of Chance the Rapper, Kanye West and A Tribe Called Quest, among many others. It was also, unfortunately, a year filled with plenty of "my name is ___ and I'm here to say" hippity hoppity rappity rap from do-gooders like Lin-Manuel Miranda and Macklemore.

Macklemore and Ryan Lewis tried their absolute damnedest to deliver engaging rhymes about the pharmaceutical industry, dieting and their own white privilege, but still came across like cool substitute teachers who brag about being cool substitute teachers.

Then there was Lin-Manuel Miranda, the goateed hip-hopper who delivered after-school special raps via his ever-popular Hamilton musical. As if that weren't enough, your boy somehow convinced half of hip-hop to perform on his groan-worthy Hamilton Mixtape. Then there was his painfully corny pro-Hillary Clinton rap, which was so on-the-nose that it gave us a nosebleed. 


Awful Election Music



Miranda wasn't the only one hamming it up for Hillary this year, as a number of artists tried to sway the election in her favour with their musical pursuits. Unfortunately, when you're dealing with a viscerally angry and extremely dangerous right, you've probably got to do a little better than having Lena Dunham or Le Tigre rap about pantsuits. For an even limper attempt at swinging the election, Dave fucking Eggers signed up a bunch of light-rockin' alt dudes like Death Cab for Cutie and Rogue Wave to galvanize the left into action. They say protest music will be better than ever under Trump, but we're starting to think sing-along slacktivism is probably not as effective as actively engaging in political action.


Death



The spectre of mortality was particularly prevalent in pop culture this year. Legendary artists like David Bowie and Leonard Cohen foretold their respective passings with new albums before leaving us, while Prince died too soon by a tragic overdose. Then there was Gord Downie, an artist who, while still with us, prepared to say goodbye with albums and tours. 

Further, we were reminded of the frailty of human life earlier this month when an Oakland DIY venue caught fire and claimed at least 36 lives — people who were simply enjoying a night of unbridled underground creativity.

Death is life's unavoidable foil, to be sure, but the loss of life-changing legends and the frustration of knowing that some of these deaths could have been prevented weighed heavily on the music world this year.

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