How did you come to make this album with Jay Nowicki?
We've been really good buddies for about 20 years and I always thought he was a kick-ass guitar player. We were just going to try it for a couple tours, but we were on fire when we played together; it was pretty crazy mojo. We had a full band for a while, but our electric duo shows were even better, so it was kind of a no-brainer: let's make an album.
Tell me about the decision to record the album live.
The electric duo shows that we were doing on tour were pretty serious ― we're sweating, we have the crowd going crazy and we've just got these two guitars. I knew we would be great in the studio and we could pull it off, but I thought it would take away what was cool about it: this tight dynamic, this sort of weaving and bobbing between each other's guitars. I was pretty inspired by Time Fades Away, an album Neil Young did in '73.
Did it feel like a risky move?
It was terrifying! When you go into a studio, you don't even have to have your songs arranged. You can work on that as it goes, you can rewrite lines and you can add instrumentation and watch it come to fruition during the few weeks you're in the studio. But to do it live meant the songs had to be ready and done for that day, so we had a lot of work to do. I kept thinking, "this is crazy, why are we doing this? We could nail a great album in the studio; I don't know why we're taking this chance." It felt really gutsy, but it was a challenge we rose to and we're really happy with the results.
I read online that Neil Young doesn't actually like Time Fades Away. What was it about that album that inspired you?
I just think Neil Young has so many great ideas. Why would you go in a studio and record when your band sound awesome on stage? That whole rock'n'roll purist part of him really appeals to me. I love that he does that album live. It's a pretty cool album; it's not one of my favourite albums of all time, but the balls behind it are so amazing. I really think that rock'n'roll is dying. It might have a resurgence, but I feel like it might be on its way out over the past few years. And I really just love straight up rock'n'roll. Even though my album's not a rock'n'roll album, the heart of it is. These over-produced studio albums, these over-made up indie rock bands, there's so much crap out there. And Neil Young's a good example of someone who was never trying to be anybody; he was just loving rock'n'roll. (Independent)
ReviewsFeb 17, 2015
Sam LarkinThe Secret Songs of Sam Larkin
Toronto songwriter Sam Larkin was famously secretive. He didn't like to disclose details of where he lived, what he'd done for a living R...
ReviewsFeb 13, 2015
Samantha Martin & Delta SugarSend the Nightingale
It has taken Samantha Martin a little while to find the right musical vehicle for her astonishingly powerful, force-of-nature voice. She has...
ReviewsFeb 10, 2015
William Ryan FritchRevisionist
Already adept at meticulously sculpting myriad manner of intensely evocative musical images within his own self-contained creative ecosystem...
ReviewsFeb 10, 2015
Fortunate OnesThe Bliss
The debut album from Newfoundland folk duo Fortunate Ones starts with a pair of songs overflowing with the hallmarks of modern folk, as quie...