Emme Moisés is an Argentinian electronic musician who lives and works in Berlin. Her 2016 debut, Life at the Edge of a Black Hole, invited u...

Recorded live earlier this year, the two volumes of Elephant9's Psychedelic Backfire show them in full flight, an almost unstoppable train o...

Representing Philadelphia, DJ Delish (aka Miss Boi) hit the scene in 2013 — a young, queer POC with a voice that is sorely lacking in this i...

Keys N Krates may just be making a run for song of the summer — or beat tape of the summer, to be more precise.   Following last year's de...

Even today, nearly 40 years after the band's inception, it remains hard to pin down what, exactly, makes a Flaming Lips record. The pastel c...

The sonic ecosystem of Hammerhands is an odd amalgamation of elements: sludge metal and noise rock, set against a backdrop of a Clint Eastwo...

As one of the innovators of deathcore, Despised Icon's Alex Erian carries some promise for any project. That promise includes machine-gun bl...

The Black Keys return with their first album in five years, "Let's Rock", featuring 40 minutes of slick and simple tunes, and plenty of the...

The path to Elle Varner's sophomore effort has been a winding one. Pushbacks and label drama (the singer was dropped from RCA Records, the c...

Jaden Smith's 2017 debut, SYRE, showed creativity and tremendous potential. On it, the neo-Fresh Prince established himself as a legitimate...

All Out War have almost always sounded like some sort of sadistic, feral animal. Truth in the Age of Lies and For Those Who Were Crucified a...