When former Woods bassist Kevin Morby performed as part of "The Complete Last Waltz" in the winter of 2014, you could say that worlds collid...

The renewed interest in American primitive guitar continues to grow, but for some, like Glenn Jones, the sound has long served as a calling....

Over the past decade, Bonnie "Prince" Billy has experimented with a cornucopia of collaborators, from nearly every genre of music, from film...

Ambsace, the second album of acoustic instrumentals by guitarists James Elkington and Nathan Salsburg, finds the modern fingerpicking resurg...

Amassing an extensive catalogue of cover songs is something that's typically reserved for jam bands or wedding bands. The Grateful Dead, thr...

Since their inception, Wilco have been defined by a sonic restlessness that has found them exploring new genres and styles on each record. I...

Even though Explains is the first Little Wings record to come out on the coveted freak flag-waving Woodsist label, it already feels like som...

The past year has been a time of change for Chicago musician Haley Fohr. Touring solo as Circuit Des Yeux throughout Europe and the U.S. in...

Over 40 years ago, Cambodia was home to a rare and vital hotbed of music. Afternoon television programs would find the country's passive lea...

Back in the songwriter days of the early '70s, Bill Fay recorded two very different sounding "folk" albums, both of which wound up as commer...

For a band that have cut their teeth over the past decade on relentless guitar riffage and Hawkwindian space rock, Walk For Motorists, the n...

Chicago folk guitarist Ryley Walker belongs to the new school of finger pickers — one that includes the likes of Steve Gunn, William T...