Jon Lucas and Scott Moore (the writers of The Hangover) take over directing duties in 21 and Over, another tale in which a group of friends...

The Rundown hit theatres ten years ago, and it felt a great deal like a baton-passing film, with Dwayne Johnson (still credited as "the Rock...

Every once in a while, Christian Bale gives a transparently "method" performance. His voice varies in volume, he stutters now and again, his...

Compared to other nominees for Best Foreign Language Film at this year's Academy Awards, Israel's Footnote doesn't have the same heady subje...

Apparently, Martin Scorsese likes Easy Money. At least, one would assume Martin Scorsese likes the film, given that the trailer proudly decl...

There are many would-be virtuoso film-making moments in Rodrigo Cortés's Red Lights, an overwrought yarn about two sceptical physicists who...

Bertrand Tavernier's Death Watch is about a man, Roddy (Harvey Keitel), who has cameras implanted in his eyes so he can follow a dying woman...

A cursory glance through the credits of Step Up: Revolution reveals a number of laughable pop culture figures and signifiers. The director i...

A young woman (Camille Keaton) goes to a summer cabin on a remote lake to write a novel; she is assaulted by four men, who beat her up befor...

"We didn't want to do a version of the Stooges," co-director Peter Farrelly explains in one of the making-of featurettes on the Three Stooge...

Richard C. Sarafian's 1971 Vanishing Point is the genre film that could only have been made in the wake of the American counter-culture of t...

Tough Enough (a post-Rocky boxing flick from 1983) opens with scene that could make be a short film on its own. First, we see a woman in a r...

Blood Work, a mostly forgotten thriller from 2002, is the last true genre film Clint Eastwood made before transitioning to Hollywood's elder...

One gets a feeling of Déjà vu while watching U.S. Marshals, a spin-off of The Fugitive, the better-known Harrison Ford vehicle. Both films f...

John Wayne plays Hondo Lane, a notoriously independent (and part-Apache) gunman who befriends a mother (Geraldine Page) and son (Lee Aaker)...

Where Do We Go Now? may be a Lebanese film and it may concern itself with the type of contemporary religious conflicts often reserved for st...