music reviews
Tierra Whack's World Gets a Little Darker on 'World Wide Whack'
PUBLISHED Mar 18, 2024
Tierra Whack is many things, but apologetic isn’t one of them. She's an artist who flips through mediums as often as she does moods...
Kelly Moran's "Sodalis (II)" Moves Like a Deep Ocean Current
Exclaim! Staff Picks
PUBLISHED Mar 14, 2024
Kelly Moran’s original “Sodalis” — a contribution to the 2020 Field Works 'Ultrasonic' collection — was an anxious churn of wings...
Uranium Club Are Ambitious as Ever on 'Infants Under the Bulb'
PUBLISHED Mar 13, 2024
Uranium Club’s music can best be described as warped, or maybe wiry. Or perhaps groovy is best. Or… unsettling? It’s very difficult to pinp...
Cell Press Refine the Sludge on 'Cages'
PUBLISHED Mar 12, 2024
An album that prides itself on being an old school sludge-fest and manages to deliver the goods from start to finish...
Sham Family Search for Truth on "Modern Myth"
Exclaim! Staff Picks
PUBLISHED Mar 11, 2024
Recorded and produced by Holy Fuck's Graham Walsh, the Toronto band's first release since 2022 is a magnetic return...
Moor Mother's 'The Great Bailout' Is Fuel for the Future
PUBLISHED Mar 8, 2024
“History repeats itself.” You’ve heard this uttered by a high school history teacher or parent trying to instill their wealth of knowledge...
Kim Gordon Embraces Apocalypse on 'The Collective'
PUBLISHED Mar 7, 2024
Kim Gordon has done it all, from ushering no wave’s charge into the mainstream to reinventing the sound of modern alternative rock ...
Blunt Chunks Wrestles with Expectation on “High Hopes”
Exclaim! Staff Picks
PUBLISHED Mar 6, 2024
Expectation will be the death of me. I think I’ve known this for a while; whether it’s what I unconsciously find myself expecting of others...