Edison Woods

Seven Principles of Leave No Trace

BY James KeastPublished Feb 1, 2004

The sophomore album for Edison Woods continues in that niche of slow, wandering, delicate melodies that seem innocently stoned — not in a hurry to get anywhere, easily distracted and prone to tangents, but somehow sweet and charming in the right mood. At home in New York, Edison Woods — the creative outlet for Julia Frodahl — combines music with performance art and theatre performances, and there is a sense that Seven Principles of Leave No Trace is missing some context, like listening to the score of a film you’ve never seen. Not as super-slow as Low, not as gleefully dismissive of pop structure as Dirty Three, and not as engaging as Goldfrapp, Edison Woods nevertheless dips a toe in these various waters before skittering off again. Not quickly, mind you, never at a pace faster than a brisk crawl, but still moved by a creative impulse that follows its heart, even if it’s only to chase the lure of a glittery bauble.
(Habit of Creation)

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