By James Luscombe

Animated like an Impressionist painting that flows and undulates like a river, Richard Linklater’s "Waking Life" is a beautiful, episodic collection of philosophical diatribes. Not entirely successful (the speeches are often too self-contained to resonate with the rest of the film), but it has its moments of transcendence, like the coffee shop conversation about how movies function as a series of "holy moments," or Linklater's own re-telling of one of his dreams that begins with an anecdote about Philip K. Dick, and ends up meandering its way to posing the ultimate question of existence – are we ready to move on, or do we have more to work out here on the earthly plane? "Waking Life" is Linklater's best film since "Slacker," and in a way, this is like a drugged-out, nocturnal sequel; a collection of smartest and most poetic three a.m. conversations you've ever had.



It's easy to rip on Vampire Weekend; their privileged upbringing, cultural appropriation of African music and penchant for deck shoes make them a favourite target in music blog comment sections. But it's difficult to deny that the tunes on their self-titled debut were some of the catchiest indie roc... Full Review
For Jully Black, hard work has unquestionably paid off. By stepping out — breaking out — of the career-limiting confines of "Canadian R&B singer," the vivacious Black has drawn her own map, blazed her own trail, and apparently arrived at sustainable success. The Toronto-based Black today wears many hats — singer, songwriter, producer, TV personality — all of which are a perfect fit.... Read More
Since his first single was released in 2003, Norway's Hans-Peter Lindstrøm has redefined the disco template for an entire generation of producers. He's the leading ambassador for what's often referred to as the Scandinavian space disco sound, a spatial, somewhat synthy update on the disco template that incorporates its region's rich history of psychedelic and prog rock foundations.... Read More
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