Road Trip
Directed by Todd Phillips

By James Luscombe

In the new gross-out college comedy, Road Trip, four buddies pile into a car with the intention of driving from Ithaca, New York to Austin, Texas to retrieve a copy of a videotape of a young co-ed, played by Amy Smart (Ruby from TV's Felicity), taking her top off. Well, actually it's not that simple, but the image of Amy Smart taking off her top seemed like an important event to be noted, since that's one of the reasons guys go to movies like this. The other attractions for the "man I was so wasted" crowd include the requisite gags about nerds, fat chicks, weed and stuff getting destroyed. Some of these jokes work like gangbusters, thanks to a couple of brave cast members (notably Tom Green, and geeky, inbred newcomer D. J. Qualls, who looks like something out of a Harmony Korine movie), but more often than not, the comedy is about as flat as old soda pop.

Road Trip was directed by Todd Phillips who has previously made a name for himself with a handful of edgy documentaries including Screwed (about pornographer Al Goldstein), Hated (about GG Allin), and the controversial Frat House, an all-access expose of fraternity hazing rituals that won a prize at Sundance. Phillips may have an insider's understanding of the extremes of male bonding rituals, but his comic sensibility is blunt and uninspired. There's a jaw-droppingly ill-conceived scene in which the guys almost pee themselves in fear upon entering the dining hall of an all-black fraternity. What the hell kind of audience response is that supposed to elicit? There's also a dunder-headed joke about a grandfather who has a permanent Viagra erection and smokes reefer with the best of them. If there's a lamer form of comedy than having old codgers embracing rebellious youth culture, I'm not aware of it. Remember the rappin' granny from The Wedding Singer?

I'm sure a lot of these jokes probably looked good on paper (at about three o'clock in the morning), but they're haphazardly thrown up on the screen, possibly expecting some kind of Pavlovian response from the audience ("the skinny guy's gettin' it on with the fat chick! Wooo-hooo!"). I'll give this movie points for the gross-out French toast scene (you don't wanna know where it's been), and for smartly using the off-beat comedic rhythms of Ottawa native Tom Green, who absolutely aces every scene he's in. He spends most of the movie trying to coax a boa constrictor to eat an adorable little white mouse (in frustration, Green attempts to devour it himself). The rest of the cast is peppered with faces I've seen in other interchangeable teen comedies. Sean William Scott is funny if only for his consistently lewd and nasty facial expressions, but the lead role is forgettably played by a Bill Maher look-alike named Breckin Meyer. His girlfriend, Tiffany, is played by Rachel Blanchard (Cher from the TV series Clueless), but that hardly seems worth noting since she doesn't actually drop the laundry at any point.



Battlefield Earth - Dir. by Roger Christian
Center Stage - Dir. by Nicholas Hytner
Cirque du Soleil: Journey of Man - Dir. by Keith Melton
Gladiator - Dir. by Ridley Scott
Hamlet - Dir. by Michael Almereyda
Human Traffic - Dir. by Justin Kerrigan
I Dreamed of Africa - Dir. by Hugh Hudson
Shanghai Noon - Dir. by Tom Day
Small Time Crooks - Dir. by Woody Allen
The Big Kahuna - Dir. by John Swanbeck
The Virgin Suicides - Dir. by Sophia Coppola
Up At the Villa - Dir. by Philip Haas
Mary, we love the fact that you're happy ― no more drama ― and that your personal issues seem to be a thing of the past. Trouble is, your pain was what fuelled your passion. It's the reason why What's the 411 was a classic, and why subsequent albums were usually measured by whethe... Full Review
If you've ever wondered why Toronto's first wave punk scene lacks the oral histories, band biographies, and memoirs pouring out of similar scenes, Treat Me Like Dirt is for you — as evidenced by a first printing selling out a week before its release. "I didn't know that any of this had happened the way I knew that New York and London had these great punk movements," says author Liz Worth.... Read More
Taking a break at about the halfway mark of director Kathryn Bigelow's Iraq war drama, The Hurt Locker, I realized my jaw was sore. I had been unconsciously clenching it from the first moment of The Hurt Locker, which chronicles a three-man team of explosives ordinance disposal (bomb s... Full Review
Social Networking
• Be our friend on MySpace
• Be our fan on Facebook
Tweet us on twitter
Viewing the May 2000 Issue: Contents PageNewsClick Hear • Articles --> On the Cover  •  Points  •  Blab  •  Comics  •  Critics Cliches  •  Point of View  •  Questionnaire  •  Research  •  Timeline • Music Reviews --> Recently Reviewed  •  Aggressive Tendencies  •  Beats & Rhymes  •  Destination Out  •  Frequencies  •  Groove  •  Pop Rocks  •  Wood, Wires & Whiskey • Motion Reviews --> Recently Reviewed  •  Film Reviews • Music School --> N/A Contests • Contact --> About Us  • Advertising  • Distribution  • Getting Reviewed  • Getting Published  • Letters To The Editor  • Partnerships  • Subscriptions • Exclaim! Radio --> Aggressive Tendencies Radio  • Beats & Rhymes Radio  • Frequencies Radio  • Destination Out Radio  • Groove Radio  • No Future Radio  • Pop Rocks Radio  • Wood, Wires & Whiskey Radio Exclaim! TV • Home & Latest Issue Browse Issues