Elizabethtown - Dir. by Cameron Crowe
Everything Is Illuminated - Dir. by Liev Schreiber
Grizzly Man - Dir. by Werner Herzog
Prime - Dir. by Ben Younger
Proof - Dir. by John Madden
Saw II - Dir. by Darren Lynn Bousman
Separate Lies - Dir. by Julian Fellowes
Serenity - Dir. by Joss Whedon
The Edukators - Dir. by Hans Weingartner
The Greatest Game Ever Played - Dir. by Bill Paxton
The Prize Winner of Defiance, Ohio - Dir. by Jane Anderson
The River King - Dir. by Nick Willing
The Weatherman - Dir. by Gore Verbinski
Thumbsucker - Dir. by Mike Mills
Two for the Money - Dir. by J.T. Caruso
Waiting... - Dir. by Rob McKittrick
Wallace & Gromit: The Curse of the Were-Rabbit - Dir. by Nick Park and Steve Box
Where the Truth Lies - Dir. by Atom Egoyan
Mary, we love the fact that you're happy ― no more drama ― and that your personal issues seem to be a thing of the past. Trouble is, your pain was what fuelled your passion. It's the reason why What's the 411 was a classic, and why subsequent albums were usually measured by whethe... Full Review
If you've ever wondered why Toronto's first wave punk scene lacks the oral histories, band biographies, and memoirs pouring out of similar scenes, Treat Me Like Dirt is for you — as evidenced by a first printing selling out a week before its release. "I didn't know that any of this had happened the way I knew that New York and London had these great punk movements," says author Liz Worth.... Read More
Taking a break at about the halfway mark of director Kathryn Bigelow's Iraq war drama, The Hurt Locker, I realized my jaw was sore. I had been unconsciously clenching it from the first moment of The Hurt Locker, which chronicles a three-man team of explosives ordinance disposal (bomb s... Full Review
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