Shark Tale
Directed by Bibo Bergeron, Vicky Jenson and Rob Letterman

By Cam Lindsay

In 1998, there was a battle between two movie studios using animated insects. Dreamworks was the first to attack with the star-studded Antz, a film visually attractive to children yet inappropriately featuring a sophisticated story that only connects with the adults. Disney’s Pixar retaliated only a month later with A Bug’s Life, an endearing family-oriented box office hit that focused more on building a compelling story than using a beefed up cast to do all the work. Unsurprisingly, the alleged "copycat" won the war.

The tables were turned last year when Pixar released the original and exceptional Finding Nemo, an underwater adventure that proved to be as popular with adults as it was with children. Now it’s Dreamworks’ turn to get revenge. But with more than a year having passed, is it really worth it to spend so much money in order to pump something out that is so viciously blatant?

Shark Tale is not another Finding Nemo, both Dreamworks and Pixar will agree on that. Instead, it is a story about talking fish in the sea who must overcome an obstacle. Again, the studio has roped in big names (Will Smith, Jack Black, Angelina Jolie, Robert DeNiro, Renee Zellwegger) and again they’ve put that ahead of hiring competent screenwriters to create an enjoyable story for the audiences that flock to see these films: families.

It’s hard to deny that this film isn’t flashy and eye-catching. However, it relies on creating a world similar to ours, where fish shop at the Gup and Katie Current presents the news. And while some things might be humorous at first, Shark Tale loses out to the innocent charm Nemo brought to the table by keeping it simple. The tale is a divided one that follows a fish named Oscar (Smith), who wants to be rich and famous and Lenny (Black), an ambiguously gay shark who can’t succumb to the shark’s role as apex predator. Their paths meet when Oscar is to be whacked for his debts and the rest, well, is rather boring.

Dreamworks has produced another predictable animated film that fails with its drive to compete instead of create something new. While the company may have had success with Shrek, Dreamworks’ films lack the originality and overall delight Pixar consistently delivers. Save your time and money and wait for Pixar’s upcoming The Incredibles, which will no doubt be up there with Toy Story and Monsters Inc. when the results from the box office receipts and audience smiles are counted. (Dreamworks/Universal)


I, Claudia - Dir. by Chris Abraham
It’s difficult to adapt a play for film and maintain the intimacy of theatre. Add to that the challenge of taking a one-woman show and producing a film that is more than a talking head drama (no slight to Spalding Gray, who was in class by himself). Many have tried and many have failed. Despite the possible hurdles — a multiple character story told with a lone actress wearing masks — I, Claudia is evocative, warm and engaging. ...Read More
Being Julia - Dir. by István Szabó
Dig! - Dir. by Ondi Timoner
I Heart Huckabees - Dir. by David O. Russell
Raise Your Voice - Dir. by Sean McNamara
Shall We Dance? - Dir. by Peter Chelsom
Surviving Christmas - Dir. by Mike Mitchell
Taxi - Dir. by Tim Story
Team America: World Police - Dir. by Trey Parker
The Grudge - Dir. by Takashi Shimizu
The Yes Men - Dir. by Dan Ollman, Sarah Price, and Chris Smith
Warriors of Heaven & Earth - Dir. by He Ping
Check out the hottest new releases in the country this week, including: Lil Wayne Rebirth, Midlake The Courage of Others, Priestess Prior to the Fire, Rob Zombie Hellbilly Deluxe 2, We Are Wolves Invisible Violence... Read More
It's easy to rip on Vampire Weekend; their privileged upbringing, cultural appropriation of African music and penchant for deck shoes make them a favourite target in music blog comment sections. But it's difficult to deny that the tunes on their self-titled debut were some of the catchiest indie roc... Full Review
For Jully Black, hard work has unquestionably paid off. By stepping out — breaking out — of the career-limiting confines of "Canadian R&B singer," the vivacious Black has drawn her own map, blazed her own trail, and apparently arrived at sustainable success. The Toronto-based Black today wears many hats — singer, songwriter, producer, TV personality — all of which are a perfect fit.... Read More
Social Networking
• Be our friend on MySpace
• Be our fan on Facebook
Tweet us on twitter
Viewing the October 2004 Issue: Contents PageNewsClick Hear • Articles --> On the Cover  •  Front Five  •  Points  •  Comics  •  Point of View  •  Questionnaire  •  Research  •  Timeline • Music Reviews --> Recently Reviewed  •  Aggressive Tendencies  •  Beats & Rhymes  •  Frequencies  •  Groove  •  Pop Rocks  •  Wood, Wires & Whiskey  •  Concert Reviews • Motion Reviews --> Recently Reviewed  •  Dvd Reviews  •  Film Reviews  •  Music DVD Reviews  •  TIFF • Music School --> Label Life  •  Meet & Greet  •  Need to Know  •  Where I play Contests • Contact --> About Us  • Advertising  • Distribution  • Getting Reviewed  • Getting Published  • Letters To The Editor  • Partnerships  • Subscriptions • Exclaim! Radio --> Aggressive Tendencies Radio  • Beats & Rhymes Radio  • Frequencies Radio  • Destination Out Radio  • Groove Radio  • No Future Radio  • Pop Rocks Radio  • Wood, Wires & Whiskey Radio Exclaim! TV • Home & Latest Issue Browse Issues