By Daniel SylvesterSometimes it's all about the approach. On Order of Noise, the debut album from Sebastian Gainsborough (aka Vessel), vocals, samples and soundscapes are all treated as equals, resulting in a slurry of sound that remarkably works both as a mixtape comedown and as a salient whole. Flat-out refusing to move in a singular direction, much of Order of Noise is held together by Gainsborough's dark haze of layering and a molasses pace. To say that the burnt kaleidoscope rhythms and faded life-support beats of "Images of Bodies" act as the album's most playful moments says a lot about this 22-year old's staunch musical vision. On "Court of Lions," a slightly off-kilter drum crackle battles the confident Afro-Beat until Vessel conjures a moaning synth bed, seemingly pulling the alien and domestic under gleaming covers of sound, working as a great metaphor, in itself, for Order of Noise's McLuhan-esque M.O. (Tri Angle)
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