The Music Gallery, Toronto, ON, October 18
For the second track, Storring put down his cello and picked up a kalimba as his initial sample source for loops this time. Using a series of tuning reeds, the track that emerged sounded not unlike a stoned State River Widening. The final composition began with some almost acid-y chirping electronics, sounding almost like sparrows imitating a Roland 303. Storring added to the track with some beat boxing, driving it in a steady climb into a techno- and hip-hop-influenced groove.
It was a pleasure to see a musician so willing and capable of putting himself out there on the improvisation tip, incorporating so many styles and resulting in something so well put together and unique. And knowing he put everything together on the fly only added to the thrill.
ReviewsSep 21, 2014
Oneohtrix Point Never with Nate BoyceOmnimax Theatre, Telus World of Science, Vancouver BC, September 20
Daniel Lopatin set himself up centrestage, directly in front of the visuals of Nate Boyce at the final New Forms showcase in the Omnimax The...
ReviewsJun 23, 2014
Darcy James Argue's Secret SocietyThe Music Gallery, Toronto ON, June 22
Darcy James Argue has notched JUNO (and Grammy) nominations for the two albums he has recorded with innovative big band Secret Society, but ...
ReviewsJun 21, 2014
Oneohtrix Point NeverThe Great Hall, Toronto ON, June 20
Oneohtrix Point Never is a scientist of sound, a man whose electronic entities are living, breathing organisms that flourish alongside a min...
ReviewsMay 25, 2014
Tim HeckerFort Massey United Church, Halifax NS, May 24
Clad all in black, Tim Hecker walked to the church stage without much fanfare and, given that there was still daylight sneaking in through t...