Venue, Vancouver, BC, October 16
As Orton started into "Heart of Soul" from her previous album, 2006's Comfort of Strangers, the distinctiveness of her voice became clear. In a falsetto, it seemed as though her voice might disintegrate like a moth's wings at any moment, but she was deeply evocative in her comfort zone, tempered by the waves of life experience she has tread since last she appeared on these shores, including marriage, motherhood, being dumped by her label and entering her 40s.
Armed only with two dry acoustic guitars and a mic, Orton progressed to perform "Touch Me with Your Love" from 1996's Trailer Park before moving to "Magpie" from Sugaring Season. Oddly enough, her falsetto seemed to firm up for the latter, newer song, enhancing her aura of conviction. Though she would return to older material later — care of a call for requests that led to a well-received version of "Stolen Car" from 1999's Central Reservation and, for the encore, that album's highly demanded title track — she generally appeared more confident in her new material.
"Something More Beautiful" showcased her sublime lyricism and subtle delivery, while "State of Grace" emphasized her droning, circular picking style. "Candles" was the clear highlight, though. Stripping away the strings, drums and electric piano of the recorded version to reveal its heart-wrenching and haunting core, the crowd got so quiet during this song, one could hear people selectively cough on the balcony at the back from up near the stage.
Ultimately, one of the most striking things about Orton's set was how free of pretension it was. Appearing in a loose, white shirt and blue jeans, with her hair somewhat mussy, she sheepishly made small talk about her tour details and complimented the city, noting its many sidewalk dwellers, occasionally mumbling away from the mic. She claimed "Poison Tree" was co-written with William Blake, whether he liked it or not, and when she, perhaps karmically, messed up a lyric, she admitted to it, kept calm and carried on without missing a beat.
ReviewsAug 22, 2015
The SadiesAlbert Island, Ottawa ON, August 21
Deservingly introduced as "a band that needs no introduction," the Sadies wasted no time in delivering a diverse set of kicking alt-country ...
ReviewsAug 14, 2015
Honey Jam Canada Concert Showcase featuring Melissa Megan, Little T, Dynasti WilliamsMod Club, Toronto ON, August 13
Last night (August 13), a crop of 17 fresh-faced young female musicians took to the stage at Mod Club to showcase their talent at Honey Jam'...
ReviewsAug 10, 2015
First Aid KitStawamus Stage, Squamish BC, August 9
With a gold sheet covering the back of the stage and a banner for their 2014 album Stay Gold on top of it, First Aid Kit concluded a lengthy...
ReviewsAug 09, 2015
Of Monsters and MenStawamus Stage, Squamish BC, August 8
There is little doubt that Of Monsters and Men are good. These Icelanders clearly rehearse a lot, and there was rarely an awkward moment thr...
ReviewsJul 25, 2015
Neil Young + Promise of the RealWayHome Stage, Oro-Medonte ON, July 24
After a pair of farm girls sowed the stage with seeds, Neil Young appeared with little fanfare, a dark hat perking out from behind a piano a...
ReviewsJul 25, 2015
Michael Franti & SpearheadMain Stage, Guelph ON, July 24
It's hard to think of an artist that epitomizes the ideals of Guelph, ON's annual Hillside Festival quite like Californian singer-songwriter...
ReviewsJul 25, 2015
Ryley WalkerIsland Stage, Guelph ON, July 24
The spirit of roving '70s roots artists and (to a lesser extent) the Grateful Dead is alive and well in the sounds of folk-leaning, Midweste...
ReviewsJul 20, 2015
Hundred WatersBass Camp Stage, Pemberton BC, July 19
Falling right into the beautifully crafted "Out Alee," Hundred Waters graced the Bass Camp Stage on the last day of Pemberton (July 19). Cup...