Houston, TX-based Arson Anthem is an anomaly to that assumption. An í80s hardcore punk-influenced project featuring vocalist Mike Williams (EyeHateGod), guitarist Phil Anselmo (Pantera, Down, Superjoint Ritual), drummer Hank Williams III (Assjack, Superjoint Ritual) and bassist Collin Yeo, the bandís eight-song eponymous debut (released on Anselmoís own Housecore Records) is nothing less than standalone and extraordinary. And while it may not surpass the glory of its feeder bands, it certainly matches them. Ferocious, frenetic and fucking fast, the unbridled maliciousness and aggression of Arson Anthem finds this quartet deserving praise amongst their own personal heroes such as Discharge, Negative Approach, Black Flag and Agnostic Front.
Lest one overanalyse Arson Anthem though, Williams quickly points out that the album was recorded and mixed in less than a week, stressing the fact that Arson Anthem has no grandiose plans other than creating some fun ó albeit passionate ó old school hardcore.
There are some great musical achievements between the four memebers of Arson Anthem. You all have very strong personal legacies with revered albums and what-not, yet when listening to this record you all sound like 15 year-old kids just having a blast.
Right! I look at it that way too. I consider myself a music fan first and foremost because I buy records and search out weird bands. This is a tribute to the í80s; all the early hardcore punk. Itís a good way for us to get together and play what weíre intoÖwhat our passion is.
Iíve heard tale the band came about because after Hurricane Katrina, you took up residency at Phil Anselmoís?
I lost everything in that hurricane but I had also gone to jail for a while so I really had nothing. After I got out, Phil was nice enough to help me get back on my feet. He has a guesthouse where bands record. He let me live there and weíd hang out everyday, listening to music. Heís got a huge collection of every type of music. We were listening to old punk bands and missing those days, reminiscing and saying how there would never be an era like that again. That got the ball rolling. I mean, weíve talked about this for years but we finally got down to doing something.
Iíd say so if you recorded, mixed and mastered your first album in six days. Thatís quite the accomplishment and entirely in keeping with the attitude of that era.
I guess it is [an accomplishment]. People are either loving it or hating it. Either way itís getting a good reaction. If people hate it, I donít care but itís good to get a reaction of some kind.
There does seem to be a very strong divide between people who adore Arson Anthem or absolutely despise it. Why? Are they expecting something too close to your various legacies?
Thatís part of it. They pre-judge it, expecting it to sound like Pantera or EyeHateGod. They expect it to be a metal record but itís not at all. Some people just find this type of music too aggressive. Weíve had people say itís poorly mixed. Well, itís just raw; pure emotion. It was done like a studio album but it was on an eight-track, back to the old school days of doing things simple. The other bands weíre in, albums are made in professional studios and take weeks. It was nice to do it this way.
With such a laidback approach, do you have any aspirations for Arson Anthem?
Iíd like to inspire people. I canít say weíre the first band to be doing this because there are a lot of bands that play heavy hardcore like a throwback to that era. I want to at least inspire people to seek out those older bands and do some research. That was such a great time for me growing up. I had no responsibility, running free listening to that type of music and riding my skateboard. Hopefully people who didnít live through it can do it vicariously. We have future plans and some new songs to record but first we just wanted to put out the record. Overall though, this is just about fun. The people who take it too seriously and say it doesnít sound like Vulgar Display Of Power donít get it.
Thereís always backlash against a "new bandĒ from established artists though.
Just because of the members of the band, people are gonna dig to find something to start an issue with. Philís already getting the brunt of things. They kick down on him for no reason sometimes. It seems like some people donít even listen to the record before they judge. Thereís prejudice. I donít understand it. He gets these people who are jealous, hating on him or something. Some people hate for no reason.
He is a magnet for controversy though, sometimes by his own actions.
Right. Sometimes controversy can be exciting but sometimes itís a pain in the ass. Sometimes Iíd rather have chaos in my life than be bored but it can become too much. With the internet now, everything is taken as fact. Rumours start and itís taken as truth, starting controversy. Itís ridiculous. I donít get people who just bitch all of the time about what they hate. If theyíre doing that, theyíre bringing attention to it. Why waste your time? If youíre gonna put energy towards something, support it. If you donít like it, ignore it.
What do you have to say to detractors?
We just want you to listen and judge for yourself. We have a right to put out any type of record we want. Freedom of speech. Iím happy to be doing this now but at times I wish this band had been together in the í80s. It would have been taken in a different light. Arson Anthem isnít that complicated of a concept. Itís just raw, in-your-face music. I love a lot of different stuff but itís great to put out this record and say, "Hey, this is the kind of music that I love.Ē
FeaturesOct 21, 2014
GodfleshTaking it Old School
Industrial metal pioneers Godflesh return with their first new album in 13 years, dubbed A World Lit Only by Fire, which ventures back to th...
FeaturesMay 22, 2015
How I PlayDine Alone Records' Joel Carriere
It all started in a mall. Joel Carriere was working at Sam the Record Man in St. Catharines, ON. Still in his early 20s, the local show prom...
FeaturesMay 20, 2015
Misery Indexon Exclaim! TV Aggressive Tendencies
Baltimore's grindcore/death metal group Misery Index finally crushed Toronto during their short "Part 1" North American tour, in support of ...
FeaturesApr 30, 2015
Oscar MuleroMusic From Airports
For over 24 years, producer/DJ Oscar Mulero has lived and breathed techno. He was at the forefront of the Spanish electronic scene during th...
FeaturesApr 29, 2015
Convergeon Exclaim! TV Aggressive Tendencies
Hitting the quarter-century mark is an accomplishment in and of itself, but even in their 25th year of existence — relatively elderly ...
FeaturesApr 27, 2015
Peripheryon Exclaim! TV Chatroom (Pt.1 and 2)
Maryland-bred progressive metal band Periphery started their year off rather ambitiously by releasing a double concept album entitled Jugger...
NewsApr 14, 2015
Morgoth Talk Their 'Ungod' Return
German death metal outfit Morgoth recently released their fourth studio album, Ungod, marking the band's first full-length in 19 years. But ...
StreamsApr 08, 2015
Behemothon Exclaim! TV Aggressive Tendencies
The recording process behind 2014's The Satanist was not an easy one for Polish extreme metal band Behemoth. Despite the obstacles the group...